THE MAN FROM U.N.C.L.E.

“The audience needs no prior knowledge of the original television show to enjoy Ritchie’s snippy and engaging spy flick.” – Deirdre Crimmins, Cinematic Essential

“[They] got it exactly right, introducing the characters to moviegoers who may have never heard of them while not insulting the memories of those who have.” – Daniel M. Kimmel, North Shore Movies

“The film stars Henry Cavill and Armie Hammer  as Napoleon Solo and Illya Kuryakin, two slick superspies who have reduced the Cold War to a manhood measuring contest…” – John Black, Boston Event Guide

“Like the TV series, the tone is light but never entirely loses a sense of deadly seriousness.” – Tim Estiloz, El Mundo Boston

“Bickering about fashion in between slinky car chases and riotously funny spying maneuvers, Cavill and Hammer may actually have more chemistry with each other than anyone else.” – Joyce Kulhawik, Joyce’s Choices

STRAIGHT OUTTA COMPTON

“The movie is a straightforward biopic, full of dramatic confrontations, off-the-rails scenarios and takes certain artistic license to follow [N.W.A.] through their different careers.” – Monica Castillo, International Business Times

“It’s an epic, all right, but one that’s not nearly as cohesive as the album it’s named after.” – Jake Mulligan, Edge Boston

“…when STRAIGHT OUTTA COMPTON the movie revolves around the conception and birth of STRAIGHT OUTTA COMPTON the album, it benefits enormously from the reduction in scope.” – Andy Crump, Paste Magazine

“…STRAIGHT OUTTA COMPTON is a cinematic success.” – Jaskee Hickman, Cinematic Essential

“The film is enormous fun to watch – full of electrifying numbers and gigantic, bold-stroke storytelling, teetering on melodrama and providing all the soapy satisfactions one could possibly ask for from an unabashedly old-fashioned MGM picture.” – Sean Burns, Spliced Personality

COP CAR

“…the kind of film that changes gears in the last act; perfectly capturing the adventurous nature of childhood in the beginning and then diverging into a generically consequential thriller in the end.” – Sam Cohen, Under the Gun Review

“…the movie, like the car itself, kind of just idles on the side of the road for the remainder of the running time.” – Sean Burns, Movie Mezzanine

“It doesn’t matter if the shot misses its mark by a bit. You still didn’t see it coming.” – Jake Mulligan, Dig Boston

LISTEN TO ME MARLON

“…the film stands as a worthy tribute to a monumental talent, reminding us how much we had, how much was squandered, and how much was lost.” – Sean Burns, Movie Mezzanine

BEST OF ENEMIES

“…the film endorses neither poor sportsmanship nor celebrity opprobrium. In its fashion, it’s actually tragic.” – Andy Crump, Paste Magazine

“Kind of a missed opportunity, really, but it’s hard to assign demerits because it’s so fun to watch.” – David Riedel, Santa Fe Reporter