“It’s weirdly enervated and the novelty has worn off. A DAME TO KILL FOR is almost a half-hour shorter than its predecessor yet feels twice as long.” – Sean Burns, Spliced Personality

“If directors Frank Miller and Robert Rodriguez spent half the time writing a better script than they did on coming up with ways to get Eva Green to stick her naked boobs out at the camera, SIN CITY: A DAME TO KILL FOR For might have been an entertaining movie.” – John Black, Boston Event Guide

“Sensitive moviegoers may complain about the film’s relentless celebration of bad taste. What they really ought to be offended by is its sloppy craft.” – Andy Crump, Paste Magazine

“The most detrimental difference between A DAME TO KILL FOR and its predecessor is that it takes itself too seriously. The film fails to achieve the same balance of over-the-top violence and biting humor that Sin City pioneered.” – Evan Crean, Starpulse

“For an action movie that boasts features large quantities of blood being splashed around the screen like water in a swimming pool during the heart of the summer, it’s a bit shocking that much of SIN CITY: A DAME TO KILL FOR is as dry and as lifeless as it is.” – Jaskee Hickman, The Movie Picture Show

“…SIN CITY: A DAME TO KILL FOR has finally hit theaters, and it feels less like a long-awaited arrival and more like a term paper that is thrown together at the last second by piecing together previous assignments and using a thesaurus to hide its self-plagiarism.” – Kristofer Jenson, Dig Boston

“This is the second time this year [Eva Green] has done the femme fatale thing in a Frank Miller sequel nobody asked for, and the second time she’s bent the whole damn picture over a rail to get the job done – between this and 300 she’s gonna be THE feminine ideal in the eyes of an entire generation of horny young brats.” – Bob Chipman, Escapist

“It’s not exactly a “check your brain at the door” sort of movie, but it is one that appeals to our more animal instincts.” – Daniel M. Kimmel, North Shore Movies

“It’s unfortunate to report, then, that the film’s long-awaited sequel — nine years in the making — SIN CITY: A DAME TO KILL FOR ultimately feels stale and monotonous, despite its abundance of delicious eye-candy. – Charlie Nash, Edge Boston


IIS_03150.jpgIF I STAY

IF I STAY eventually begins to dissolve into something that made me want to walk out of the theater as fast as I could.” - Jaskee Hickman, The Movie Picture Show

“What might have been simply a cheap bid for tears turns into a complex portrait of a girl navigating an extremely difficult path to adulthood.” – Daniel M. Kimmel, North Shore Movies

“Just make the goddamn choice.” – David Riedel, Santa Fe Reporter



“The audience will get to experience a smooth ride with Frank with some expectedly rough edges that will take them to a place where they’ll be satisfied with after the journey ends.” – Jaskee Hickman, The Movie Picture Show


sylvester-stallone-in-the-expendables-3-movie-3THE EXPENDABLES 3

“Hughes has no idea how to film his stars. All the would-be-iconic reveals fall flat, and everybody just appears uncomfortable at unflattering angles.” – Sean Burns, Spliced Personality

THE EXPENDABLES 3 is an action movie that clearly just wants to have a good time doing whatever they can think of for about two hours before the end credits begin to roll.” – Jaskee Hickman, The Movie Picture Show

“While many critics have, correctly, noted how much the EXPENDABLES series owes to ‘80s action films, Stallone has a deeper debt to an entirely different group of movies:  the 1956 AROUND THE WORLD IN 80 DAYS, IT’S A MAD, MAD, MAD, MAD WORLD, and WHO FRAME ROGER RABBIT?” – Daniel M. Kimmel, North Shore Movies

“The film pays so little attention to narrative that the plot (not really very different from that of the second movie, 2012′s THE EXPENDABLES 2) scarcely registers.” – Kilian Melloy, Edge Boston


THE-GIVER_612x412-bannerTHE GIVER

“There’s nothing groundbreaking in THE GIVER, but it’s a nice movie overall that should satisfy fans of Lois Lowry’s award-winning novel.” – Jaskee Hickman, The Movie Picture Show

“In the movies, as in life, timing is everything. In the case of THE GIVER, it’s a movie that’s several years too late.” – Daniel M. Kimmel, Sci-Fi Movie Page


Rich-Hill-AppacheyRICH HILL

“Not a stretch goes by without a tragedy, in fact – it’s as if Palermo and Tragos picking the moments and images that will pack the most punch, with no regard for the rhythm of actual day-to-day life.” – Jake Mulligan, Edge Boston


LAND HO!13929-1

“LAND HO! is going to be massive at the blue-haired art-house I frequent where I’m always at least three decades younger than everybody else in attendance. And deservedly so: the sucker plays.” – Sean Burns, Movie Mezzanine


Note: The Boston Online Film Critics Association extends its condolences to the family, friends and loved ones of the late Robin Williams. 

Greetings movie-lovers! Here’s your weekly sampling of what the members of the Boston Online Film Critics Association have been doing, seeing and saying lately. Enjoy!

Michael Cox reviewed DOM HEMINGWAY and DISNEY’S BEARS

Deirdre Crimmins reports on horrific offerings from Fantasia Fest

Kilian Melloy on THE DOG and the passing of Robin Williams

Bob Chipman talked GUARDIANS OF THE GALAXY and more on The Escapist Podcast

Joyce Kulhawik weighs in on LIFE ITSELF

Spoilerpiece Theatre took on GUARDIANS OF THE GALAXY and TMNT



“The worst thing to happen to turtles in a movie since CANNIBAL HOLOCAUST.” – Bob Chipman, Escapist

“The action makes one appreciate the subtlety of the TRANSFORMERS movies and the humor consists of things like one of the Turtles facing death admitting he didn’t get the ending of LOST, a TV show that ended four years ago.” – Daniel Kimmel, Sci-Fi Movie Page

“I have no stake in the TEENAGE MUTANT NINJA TURTLES reboot/remake other than its entertainment quotient, which rates somewhere on the “meh” part of the scale.” – David Riedel, SF Reporter

“Just looking at it for what it is, this movie doesn’t give you much to hate outside of the unnecessary changes.” – Jaskee Hickman, The Movie Picture Show




“It is weather porn. That’s not a glib cheap shot. It’s an accurate summing up of a totally empty film that exists for one purpose: to thrill people who get off on extreme weather.” – Daniel Kimmel, North Shore Movies

“If INTO THE STORM embraced its terribleness in a self-aware kind of way like Syfy flicks, it would be much more fun to watch.” – Evan Crean, Starpulse

“INTO THE STORM would be a perfectly solid made-for-TV movie, but I can’t for the life of me figure out how it got a theatrical release.” - Deirdre Crimmins, All Things Horror

“So derivative that one imagines [David] Spade sitting a row behind you at the theater, taunting the screen, saying, “I liked INTO THE STORM more the first time I saw it…when it was called TWISTER.” - David Riedel, SF Reporter



“Despite McDonagh’s occasionally messy overreaches, this is an extremely moving portrait of a man trying to live his faith in a time and place where such a thing seems damned near impossible.” – Sean Burns, Movie Mezzanine

“For those interested in watching a movie that’s different from the normal summer blockbuster in just about every way imaginable, CALVARY may be something that you may want to see.” – Jaskee Hickman, The Movie Picture Show

“McDonagh is trying to deal with the fact that talk is cheap. But he also seems to think the rest of the things we do – the social climbing, the status searching, the fighting, and yes, the drinking – are pretty damn cheap, too.” – Jake Mulligan, Movie Mezzanine

“One doesn’t jump from a story about child rape to casual guffaws easily, but writer-director John Michael McDonagh pulls it off.” – Dave Riedel, San Antonio Current


MOOD INDIGOmood-indigo

“In fine European art-house style, MOOD INDIGO relishes its quirky style and magical realism, but refuses to flinch from pain and horror.” - Kilian Melloy, Edge Boston




“Maybe that’s too tall an order for what is supposed to be a romantic comedy, but if you can accept the fact that WHAT IF isn’t funny from the outset, you may find some worthwhile qualities.” - Kristofer Jenson, DigBoston




“It’s pleasant, it’s professionally produced, and leaves you with that warm bath feeling. It’s not a great film but it is one that will please many.” – Daniel Kimmel, North Shore Movies

“You’d need a pretty big Venn Diagram to jot down all the audiences this movie is hoping to endear itself to.” – Jake Mulligan, Edge Boston




“In the last chapter of the series, b-boys and girls took on the 99% motif and saved small businesses on the Miami waterfront. Two years later, they learn the hard way that idealism doesn’t pay the bills.” – Monica Castillo, Movie Mezzanine


guardians_of_the_galaxy_castGUARDIANS OF THE GALAXY

“GUARDIANS OF THE GALAXY plays less like a Marvel Studios commodity and more like a two-hundred-million-dollar version of 1980’s sci-fi cable staples like THE ADVENTURES OF BUCKAROO BONZAI ACROSS THE 8TH DIMENSION or THE ICE PIRATES.” – Sean Burns, Spliced Personality

“GUARDIANS OF THE GALAXY defies Marvel’s house style. By the time the credits roll, you’ll be eager for Gunn to do it again.” – Andy Crump, Movie Mezzanine

“I do like GUARDIANS OF THE GALAXY, but it’s not something that gave me a lot to love.” – Jaskee Hickman, The Movie Picture Show

“It turns out to be the goofy and action-packed antidote to most of the summer’s blockbusters.” – Daniel M. Kimmel, North Shore Movies

“It feels like someone threw Spielberg movies, Stephen Chow movies, and FLASH GORDON into a blender, and GUARDIANS OF THE GALAXY is what came out.” – Jake Mulligan, Edge Boston

“What a joy—and not a little bit of a relief—it is that GUARDIANS OF THE GALAXY may be the best Marvel movie, period.” – David Riedel, Santa Fe Reporter



“Anyone buying a ticket to see Get on Up, the new biopic of legendary soul singer James Brown directed by Tate Taylor (The Help), should be given a CD of Brown’s greatest hits with each purchase.  At least then they’d walk away with a better sense of what made the man famous in the first place.” – John Black, Boston Event Guide

“If you like James Brown and the music from that era, you’ll find a plethora of things to like in GET ON UP.” – Jaskee Hickman, The Movie Picture Show

“… it can’t distract us from how familiar the story feels, even if you know nothing at all about Brown. What makes the film worth seeing–even if you don’t know his music–are the two lead performances.” – Daniel M. Kimmel, North Shore Movies