Robyn Bahr reviews SANDITION and AJ AND THE QUEEN for The Hollywood Reporter. She also appears on the podcast The Film Stage to talk about 1917.
Why would anybody want to devote a weekly blog solely to write about the movies of Nicolas Cage? John Black will tell you with his new blog Enter the Cage.
Spoilerpiece Theatre reviews JUST MERCY and 1917.
Spoilerpiece Theatre reviews HARRIET, MOTHERLESS BROOKLYN, and TERMINATOR: DARK FATE.
Robyn Bahr reviews THE LITTLE MERMAID: LIVE.
Bob Chipman reviews TERMINATOR: DARK FATE.
Kristofer Jenson launches his new blog Burrito and a Movie, which discusses films from the Russian Guild of Film Critics 100. His first post covers movies from 1917-1929.
Spoilerpiece Theatre reviews TALL GIRL, HER SMELL, RAUL JULIA: THE WORLD’S A STAGE, and LATE NIGHT with guest and BOFCA member Charlie Nash.
Robyn Bahr reviews BET’s FIRST WIVES CLUB, BETWEEN TWO FERNS: THE MOVIE, BOB HEARTS ABISHOLA, CAROLE’S SECOND ACT, and HUSTLERS for The Hollywood Reporter.
Deirdre Crimmins reviews KOKO-DI KOKO-DA from Fantastic Fest for Rue Morgue.
Jake Mulligan covers the opening of the Camden International Film Festival (CIFF) and reviews AMERICAN FACTORY for DigBoston.
Spoilerpiece Theatre reviews THE GOLDFINCH, VITA & VIRGINIA, HUSTLERS, and UNTOUCHABLE with guest and BOFCA member Megan Kearns.
Robyn Bahr reviews TRANSPARENT: MUSICALE FINALE for The Hollywood Reporter.
John Black reviews CLOWNADO for Gruesome Magazine.
Deirdre Crimmins reviews THE HAUNT for High-Def Digest.
Sam Cohen interviews Bill Moseley about Rob Zombie’s 3 FROM HELL for EDGE Media Network.
On Spectrum Culture, Greg Vellante writes about why David Chase’s forgotten gem NOT FADE AWAY is worth revisiting.
Spoilerpiece Theatre reviews IT CHAPTER TWO.