rev-1-fbcog-cctrlr-010_high_res_jpegFANTASTIC BEASTS: THE CRIMES OF GRINDELWALD

“For Rowling’s loyal fans – who are legion – this is an exciting next chapter. For those who haven’t really paid much attention, THE CRIMES OF GRINDELWALD may provide some fantastic moments but may seem otherwise impenetrable.” – Daniel M. Kimmel, North Shore Movies

“It’s very possible in these filler films to craft a sense of urgency and wonder, but THE CRIMES OF GRINDELWALD just falls flat.” – Deirdre Crimmins, High-Def Digest


Film Title: Green BookGREEN BOOK

“GREEN BOOK plays like a bizarre Trumpist’s anti-Obama empowerment fantasy, in which a proudly ignorant white prole is constantly humiliating an erudite, sophisticated black man and showing him how the world really works.” – Sean Burns, The ARTery



“…an entertaining thriller that grabs you from the start and puts you through the wringer. It may not be art, but it’s rattling good entertainment.” – Daniel M. Kimmel, North Shore Movies

“As a pure, visceral experience, it’s an undeniably entertaining ride.” – Charlie Nash, Edge Boston

“WIDOWS as a commendable duality where it’s able to be fun but not forgettable and exciting without being mindless fluff.” – Allyson Johnson, The Young Folks



“At a cultural moment when powerful men are finally being called upon to answer for their sexual improprieties, a film like THE FRONT RUNNER couldn’t possibly be less in tune with the times.” – Sean Burns, North Shore Movies



“Adoptive parents and their kids should be represented in contemporary cinema. They just deserve better than INSTANT FAMILY.” – Deirdre Crimmins, High-Def Digest





THE GIRL IN THE SPIDER’S WEBgirl-in-the-spiders-web-880x320

“You might want to avoid getting caught in this web.” – Brett Michel, The Improper Bostonian

“THE GIRL IN THE SPIDER’S WEB is a nearly solid action film, but it’s underutilization of its main character stunts the film, and denies Lisbeth the opportunity to continue her life’s mission.” – Deirdre Crimmins, High-Def Digest

“…an entertaining thriller that falls short of the excitement and originality of the Swedish originals…” – Daniel M. Kimmel, North Shore Movies


MV5BYjEzMmMwNTUtNmQxOS00N2UzLTliNGUtNDU4NjkwMTZmYWRhXkEyXkFqcGdeQWtlbGFyc2Vu._V1_CR8,0,1419,798_AL_UY268_CR2,0,477,268_AL_THE GRINCH

“In a perfect world, films would only be remade when there’s room for improvement.” – Brett Michel, The Improper Bostonian

“Without a truly grumpy Grinch, and without the Seussical aesthetic, THE GRINCH is just a standard and serviceable Christmas movie.” – Deirdre Crimmins, High-Def Digest

“This GRINCH is not the mess that the live action movie was, and should entertain family audiences. Skeptics will remain unconvinced that there was any need for a new version.” – Daniel M. Kimmel, North Shore Movies




“OVERLORD is not a memorable movie or one that you have to rush out to see. However, being disappointed after watching it is highly unlikely.” – Jaskee Hickman, Cinematic Essential



boy-erased-2BOY ERASED

“…means well but is exactly the kind of star-studded, issue-oriented snore that makes Oscar season such a slog.” – Sean Burns, North Shore Movies

“Proof that a powerful story doesn’t always easily translate to transcendent cinema, BOY ERASED is undoubtedly effective in its attempt to earn an emotional response and by the time the consequential beats of catharsis take place, we are fully invested in the lives of these characters.” – Allyson Johnson, The Young Folks

“The second movie this year to shine a spotlight on so-called “gay-conversion therapy,” writer/director/producer/actor Joel Edgerton’s BOY ERASED will be seen by many more viewers than THE MISEDUCATION OF CAMERON POST. That’s a real shame…” – Brett Michel, The Improper Bostonian


pine_outlaw_kingOUTLAW KING

“…a historical melodrama that will engage the eyes and stir the blood.” – Daniel M. Kimmel, North Shore Movies





“Rather than construct an emotional tether to a faraway war, VIPER CLUB instead focuses on a poorly conceived character and her martyrdom. How dull.” – Deirdre Crimmins, High-Def Digest






Deirdre Crimmins reviews Orson Wells’ THE OTHER SIDE OF THE WIND

Bob Chipman look at the DIABLO IMMORTAL fallout

Andrew Crump interviews the creator of THE PURGE and looks at new Criterion releases

Spoilerpiece Theatre looks at The Boston Jewish Film Festival

Robyn Bahr talks post-Trump televsion

BOFCA Repertory Podcast: November 2018




BOHEMIAN RHAPSODYdownload (1) (2)

“Watching Queen come together, work together, and perform elevates the movie and gives it just about all of the value that it has.” – Jaskee Hickman, Cinematic Essential

“[Malek]  burns up the screen as Mercury whether dealing with intimate personal issues, ego-driven conflicts behind the scenes, or on stage in performance.” – Daniel M. Kimmel, North Shore Movies



“SUSPIRIA is cut off from the aesthetic pleasures of [Guadagnino's] previous pictures, suffocated in the self-serious stupidity of trying to make his sexy witch movie into a statement about the Holocaust.” – Sean Burns, North Shore Movies

“SUSPIRIA is wholly its own film and offers frantic energy and lush visuals to make for a nearly perfect cinematic experience.” – Deirdre Crimmins, High-Def Digest



“… an imaginative and charming movie for the upcoming holiday season.” – Daniel M. Kimmel, North Shore Movies

“Were it not for the lush art direction and occasional nods to Tchaikovsky, THE NUTCRACKER AND THE FOUR REALMS would be a vapid, money-grabbing release for the Christmas season.” – Deirdre Crimmins, High-Def Digest


Wildlife - Still 2WILDLIFE

“…a quietly devastating work from Dano, leaving behind scar tissue you may not even notice until the credits have rolled.” – Charlie Nash, Edge Boston

“…WILDLIFE, while distant in its approach at the start, is a lingering familial drama that promises a rising, directorial talent.” – Allyson Johnson, Cambridge Day


98522909-18f7-4e6c-8c50-91b3062e77e0-CYEFMMobile.max-2000x2000CAN YOU EVER FORGIVE ME?

“The greatest pleasure CAN YOU EVER FORGIVE ME? offers, though, is the chemical reaction between [Melissa] McCarthy and [Richard E.] Grant, perhaps an unlikely pairing but no more perfect a pairing than you will find in theaters as we roll into the juddering doldrums of awards season.” – Andy Crump, Paste Magazine




“…in the end it’s the questions this restlessly intelligent film asks about the shifting values we ascribe to objects that make “Museo” worth the price of a ticket.” – Sean Burns, The ARTery



Tractor_MO-1000x563MONROVIA, INDIANA

“MONROVIA, INDIANA begins with a series of strikingly beautiful, postcard-worthy vistas featuring cornfields, mailboxes, blue skies and assorted other familiar, stock images of Americana. It ends with a shot of a grave.” – Sean Burns, The ARTery