“There are a lot of blazing thrills in this film, from Hayek’s scorching turn to ceaseless weapons fire, to a late-breaking detonation or two (not to mention an unexpected moment featuring a human torch), but despite its fever-pitch sound and fury this action flick is a misfire.” – Kilian Melloy, Edge Boston

“Samuel L. Jackson prevents THE HITMAN’S BODYGUARD from falling apart.”- Jaskee Hickman, Cinematic Essential


logan-luckyLOGAN LUCKY

“The film has the tossed-off, casual sophistication of an old master’s late work, the kind of thing great directors make when they’ve already forgotten more than a lot of filmmakers will ever know.” – Sean Burns, The ARTery

“…with Soderbergh back in the driver’s seat you know you’re in or an enjoyable ride.” – Kilian Melloy, Edge Boston

“Once more unto the breach he goes with LOGAN LUCKY, which stuck out to this writer as a retooling of what Soderbergh does incredibly well: ensembles.” – Sam Cohen, Substream Magazine


menashe_still_sundance_-_publicity_-_h_2017 (1)MENASHE

“..a sharp, moving dissection of personal identity and self-agency. You don’t need to know Yiddish to make sense of that.” – Andy Crump, Paste Magazine

“It immerses us in this community, and by the end of the film, it’s hard not to feel like a part of it.” – Greg Vellante, Edge Boston



“It’s all just more of the same, so frequent flyers get rewarded. It’s all a matter of what lens you’re viewing the franchise through.” – Greg Vellante, Edge Boston

“These movies have yet to fizzle out and lose their appeal or run out of creative space to explore, and frankly, because they use the lives of two very real people as their bases, they probably never will.” – Andy Crump, Paste Magazine



MV5BMjM4ODM3Nzk1NF5BMl5BanBnXkFtZTgwNjk4ODY2MjI@._V1_CR0,59,640,360_AL_UX477_CR0,0,477,268_AL_THE ONLY LIVING BOY IN NEW YORK

“If anything, one might wish the film had gone even farther, but for it to have done what it has — sitting in a pit of its own urban provincialism, hard and bright as a diamond and as alluringly lethal as a hateful smile — is, in itself, nothing short of refreshing.” – Kilian Melloy, Edge Boston




Marjorie Prime - Still 1MARJORIE PRIME

“…you feel active while you’re watching MARJORIE PRIME — engaged in a way you don’t at films that lazily spell everything out for you.” – Sean Burns, The ARTery







Lulu-Wilson-as-Linda-in-Annabelle-CreationANNABELLE: CREATION

“It’s so slow and so predictable that people may start shouting out wisecracks to keep it moving along.” – Daniel M. Kimmel, North Shore Movies

“ANNABELLE: CREATION is fine in some ways, but I know they could have given us more.” – Jaskee Hickman, Cinematic Essential


0810_wind-river-1-1000x753WIND RIVER

“What we have in WIND RIVER leads me to believe that Taylor Sheridan could possibly have a successful career as a director should he continue down that path.” – Jaskee Hickman, Cinematic Essential

“You can’t make a movie about simple retributive justice “important” by reminding us of the films ugly setting. (Which this film does for far too long after its climax.) In this case, a movie becomes condescending cultural misappropriation.” – Michael Cox, Edge Boston

“To be honest, the central mystery of “Wind River” is not all that mysterious and rather quickly solved. What’s more important are the textures of a community devastated by drugs and poverty.” – Sean Burns, The ARTery




“…an unpleasant two hours ending with an image of family unity that may be hard to believe, even if true.” – Daniel M. Kimmel, North Shore Movies


The_Dark_Tower.0THE DARK TOWER

“The failures of THE DARK TOWER don’t fall at the feet of Idris Elba.” – Jaskee Hickman, Cinematic Essential

“I know THE DARK TOWER has its set audience out there, I would say between the ages of 10-18. They will flock to the theater for the opening weekend, have a blast, and forget everything about it in less than 24 hours.” – Nick Casaletto, We Live Entertainment

“If there is anything to take away from this flick it’s the landscapes and costuming. [Nikolaj] Arcel definitely paints a pretty picture.” – Byron McNeal, Nerd Caliber

“…this is hardly the excursion to fantastical and enticing places one might hope it to be. “The Dark Tower” feels like lukewarm, greasy takeout.” – Kilian Melloy, Edge Boston

“It’s a kind of serviceable fantasy/horror film that may work for the middle school set…” – Daniel M. Kimmel, North Shore Movies

“…if you’re gonna make a lousy movie I appreciate the courtesy of keeping it brief.” – Sean Burns, Spliced Personality



“…as a 62 year old white film critic, let me point out that there’s nothing here, other than perhaps some historical details, that black viewers don’t already know. It’s white moviegoers who need to see this instead of turning away.” – Daniel M. Kimmel, North Shore Movies

“Tersely and expertly shot to create unparalleled tension and pit-of-your-stomach anxiety, you’ll leave the theater brimming with anger over the injustice you just watched take place onscreen. Unfortunately, you also might leave wondering if Bigelow was really the right person to tell this story.” – Allyson Johnson, The Young Folks

“I can understand why some people don’t want to see DETROIT. (Let’s face it, if you’re black you already know all this shit far too well.) But given that the film was released on a day when the President of the United States advocated roughing up suspects while uniformed police cheered on live television, I can think of quite a few people who really should.” – Sean Burns, Spliced Personality

“In February, Jordan Peele’s GET OUT offered an explosive critique of racism, but his scares were tempered with laughs; Bigelow offers no such release. Sadly, the type of horrors she’s unflinchingly put on display here are as familiar today as they were 50 years ago.” – Brett Michel, The Improper Bostonian



“This film travels a long road to its obvious (and overstated) destination. It tells you something when a film that clocks in at around 80 minutes ends up feeling like a three-hour tour through genre cliches.” – Kilian Melloy, Edge Boston


an-inconvenient-truthAN INCONVENIENT SEQUEL

“If this set of documentaries is to become a trilogy, one wonders what the third chapter will be. A decade from now, what was once merely inconvenience might have become irreversible.” – Kilian Melloy, Edge Boston



Coldest City, TheATOMIC BLONDE

“Oozing with uber-style and ultra-violence, this espionage action film pretends a morally complicated worldview, which ironically questions the need for an alliance with any nation.” – Michael Cox, Edge Boston

“If you’re only in it for the action, ATOMIC BLONDE could be something that you could find entertaining.” – Jaskee Hickman, Cinematic Essential

“The first thing that sticks out in this film is its style, with a big blaring capital hot pink neon ‘S.’” – Byron McNeal, Nerd Caliber

“ATOMIC BLONDE isn’t a terrible movie per se, it’s just a painfully forgettable one.” – Nick Casaletto, We Live Entertainment

“While there is no doubt discussion to be had about Lorraine breaking the mold-–both the violence and the sex here are very much on her terms––no one should mistake this for anything other than a summer action movie.” – Daniel M. Kimmel, North Shore Movies


maxresdefault (35)THE EMOJI MOVIE

“To say this feels like the first sign of the Apocalypse does not feel like hyperbole. What’s next? THE MEME MOVIE?” – Greg Vellante, Edge Boston

“You shouldn’t hand out business cards for your side gig as you give candy to trick-or-treaters on Halloween, and you shouldn’t make a movie celebrating the virtues of being who you are if it means paying royalties to Instagram.” – Andy Crump, Paste Magazine




Landline - Still 1LANDLINE

“The film does dig fairly deep into its vault of ’90s throwbacks — wired phones, wall-to-wall carpeting, floppy discs — but it never veers too far into becoming a time capsule parody of itself.” – Greg Vellante, Edge Boston

“It’s a real pleasure to watch Slate and newcomer Abby Quinn as bickering sisters brought together by the ordeal, especially since the former is having an affair of her own.” – Sean Burns, Spliced Personality

“LANDLINE works as well as just about any drama that you will see in 2017.” – Jaskee Hickman, Cinematic Essential

“The film falters when it rushes, wrapping everything up in the last 20 minutes of the film.” – Allyson Johnson, Cambridge Day




“DUNKIRK is able to show all of Christopher Nolan’s strengths while completely avoiding almost all of his weaknesses.” – Jaskee Hickman, Cinematic Essential

“DUNKIRK is a spectacle, a cinematic event that will be sure to please not only fans of Nolan, but those of us who appreciate film on a technical level.” – Nick Casaletto, We Live Entertainment

“What DUNKIRK is, more than anything else, is a portrait of heroism, and to paint it Nolan looks in some improbable places.” – Kilian Melloy, Edge Boston

“No matter the talent of the actors, cinematographer or composer, the star of DUNKIRK is undoubtedly Nolan’s work as director.” – Allyson Johnson, Cambridge Day

“DUNKIRK instantly enters the pantheon of great modern war films, like PLATOON and SAVING PRIVATE RYAN.” – Daniel M. Kimmel, North Shore Movies

“DUNKIRK is Nolan’s leanest and most impressive film, boasting his most audacious structural gambit to date.” – Sean Burns, The ARTery


“The movie is a cuckoo-bananas, madcap mess with stilted dialogue, iffy performances and the final half-hour just kind of stalls when it should soar. Still, I want to see it again as soon as possible.” – Sean Burns, North Shore Movies


endless_poetry2_h_2016ENDLESS POETRY

“Existential ennui is as important a detail in the fabric of Jodorowsky’s film as unapologetic weirdness, and the two enjoy more overlap than not.” – Andy Crump, Paste Magazine