Kubo-and-the-Two-Strings-final-trailer-imageKUBO AND THE TWO STRINGS

“KUBO AND THE TWO STRINGS is one of the year’s best films — a singular, soulful and sensational work of visual artistry and impeccable storytelling.” – Greg Vellante, Edge Boston

“This very well might end up being the best animated film 2016 has to offer based on the artistry alone, and to some, one of the best the cinematic year has to offer, period.” – Allyson Johnson, The Mary Sue

“…a tale of monsters and heroes, swords and sorcery, legends brought to vivid life with a surplus of heart, where reckoning with grief is a more daunting feat than slaying a kraken.” – Andy Crump, Paste Magazine

“Even in a year that has seen some creative and entertaining animated films, KUBO AND THE TWO STRINGS would be a standout.” – Daniel M. Kimmel, North Shore Movies


“In this age of farcically demagogic presidential candidates and Bernie or Busters, a tale of irrationally driven zealots and the calmer voices that seek to contain them ought to resonate; it’s a feat in itself that the film misses that mark, its morale overshadowed by action-oriented set pieces and drowned in sentimental malarky that’s even more mawkish than in the 1959 version of the story.” – Kilian Melloy, Edge Boston

“And just how fast is Charlton Heston, star of the classic – and definitive – 1959 version of the story spinning in his grave?” – John Black, Boston Event Guide

“If you want to know why this new BEN-HUR is dead on arrival here’s the answer in a nutshell: Hollywood no longer knows how to do period epics.” – Daniel Kimmel, North Shore Movies


thumbnail_24172WAR DOGS

“…for a true story, it also feels terribly formulaic, especially when it comes to the character dynamics.” – Kilian Melloy, Edge Boston 

“By treating this is as a caper movie, “War Dogs” provides the requisite action and laughs. Yet it glosses over the actual impact of our involvement in Iraq and Afghanistan…” – Daniel Kimmel, North Shore Movies




“…perhaps the biggest question left for the viewers to dwell on is: Will our dreams ever stop?” – Greg Vellante, Edge Boston

“You didn’t expect a Werner Herzog documentary about the significance of the internet in our daily lives, and how it might alter our future, to fall in the ballpark of “cheerful,” did you?” – Andy Crump, Paste Magazine





Petes-Dragon-Movie-Disney-2016PETE’S DRAGON

“It’s one thing for the movie to acknowledge Elliot as a character, and another thing entirely for the movie to acknowledge Elliot as a living, breathing entity of empathetic depth.” – Andy Crump, Paste Magazine

“… a breath of fresh air in a summer where updates to franchises intended for children and teenagers are all glum, ironic, violent, self-aggrandizing and ultimately hollow.” – Kristofer Jenson, C-Ville Weekly

“A reimagining of the same studio’s 1977 live-action/animation hybrid, Disney breathes excellent new life into this story in all the right ways—beginning with, of course, the dragon.” – Greg Vellante, Forces of Geek

“Tender, warmhearted and, most importantly, earnest to its core, PETE’S DRAGON hearkens back to old adventure stories, an E.T. for today’s generation of kids that inspires wonder and the want for exploration.” – Allyson Johnson, Cambridge Day


Sausage-Party-trailer-stillSAUSAGE PARTY

“Most of the time, I sat in disbelief at how they got away with this stuff — but I’m so glad they did.” – Greg Vellante, Edge Boston

“Just when you think this surreal world can’t surprise you any longer, it comes up with something else that may make you gasp or wince but will most likely make you laugh.” – Daniel M. Kimmel, North Shore Movies

“SAUSAGE PARTY is a nasty, crass, and unique movie that only Rogen and Goldberg could concoct.” – Max Covill, Film School Rejects

“Bottom line: This movie is piss your pants funny, and not just because I almost laughed hard enough to do that, because it’s the kind of humor where pissing your pants would actually be the punchline.” – Bob Chipman, Movie Bob

“Respect for other people and their beliefs is something that we shouldn’t have to talk about as adults.” – Jaskee Hickman, Cinematic Essential



“…like ED WOOD (1994), it’s a movie in which love of art and kindness of heart triumphs over lack of talent.” – Daniel M. Kimmel, North Shore Movies

“Nicholas Martin’s script prompts us to cringe at her, rather than laugh with her.” – Allyson Johnson, Cambridge Day

“Streep, Frears, and company have mounted a tender and revealing spectacle onstage and off, at Carnegie Hall and behind the scenes, and finally on the imaginary stage on which we each see ourselves.” – Joyce Kulhawik, Joyce’s Choices


Jeff-Bridges-Hell-or-High-Water-793x526HELL OR HIGH WATER

“Since humans from every walk of life tend to only view things from their perspective, I guess it’s normal for movies to want to tell us as viewers how to feel, think and behave.” – Jaskee Hickman, Cinematic Essential

“The themes of brotherhood and male bonding are some of the most powerful in Taylor Sheridan’s decidedly smart script.” – Michael Cox, Edge Boston




“As an entertainment, this film is a mixed bag, but as a lesson in courage, ANTHROPOID makes its case in no uncertain terms.” – Kilian Melloy, Edge Boston





“From its maelstrom of violence and hyper-vigilance there emerge cunning ambiguities and questions left artfully unanswered.” – Kilian Melloy, Edge Boston








suicidesquadSUICIDE SQUAD

“Sure, the film throws in some contractual cameos and obligated pandering, but the majority of its running time is injected with the fuel of screw-it-all abandon.” – Greg Vellante, Edge Boston

“SUICIDE SQUAD had the ingredients to be something truly unique; but once again it seems the suits at Warner Brothers and DC have no idea how to make their own characters work on screen.” – Tim Estiloz, El Mundo Boston

“What does writer/director David Ayer do with all this? He gives us extended fight scenes… What he does not do is give us any reason to care about the results.” – Daniel M. Kimmel, North Shore Movies

“What prevents SUICIDE SQUAD from being as epic as it should be is the story and the film’s overall structure.” – Jaskee Hickman, Cinematic Essential



“…a two-hour chronicle of how terminal illness consumes its victims and overwhelms their loved ones, a portrait of what it is like to be helpless, in visceral terms, to your own mortality, and what it is like to watch the person you care about most in the entire world die slowly while you can only stand and watch.” – Andy Crump, Paste Magazine



960 (7)

“One would think that after more than a century of cinematic car chases we would have seen it all, but Greengrass and company have a few tricks up their sleeves.” – Daniel M. Kimmel, North Shore Movies

“The last great serious spy series has become tedious.” – Norm Schrager, Meet in the Lobby

“For reasons I can only assume involve giant piles of money, Damon and Greengrass have returned at this late date to at long last make their own BOURNE REDUNDANCY, and I’m still a bit taken aback by how lousy it is.” – Sean Burns, Spliced Personality

“The times certainly are a-changin’. Now, the identity crisis seems focused less on the main character and more-so the film he resides within.” – Greg Vellante, Edge Boston


Nerve_dareyou_Trailer (1)NERVE

“You don’t ask if a roller coaster has a coherent plot or well-developed characters. You just get on and enjoy the thrills. If you can do that, you can take the dare.” – Daniel M. Kimmel, North Shore Movies

“NERVE may be too safe for its own good, and too ignorant of its subject matter to be taken fully seriously, but at least it knows how to show us a good time.” – Andy Crump, Paste Magazine

“NERVE is a good movie that provides thrills as long as you’re like me and had no idea what was about to happen. It would also help if you’re the kind of person who is fine with it being as safe as it is.” – Jaskee Hickman, Cinematic Essential


phantom_boy_stillPHANTOM BOY

“…the movie’s magic fantasy is gentle and childlike instead of brawny and authoritarian. Here, might does not make right. Compassion does.” – Andy Crump, The Playlist





“Defines itself as the first of the new TREK that firmly grasps what makes the old so special and how to play that against the more modernized take.” – Allyson Johnson, TYF

“If at first the muscle car dude might seem a strange choice for TREK, remember that he’s coming off of four films in which a diverse ensemble accomplishes impossible feats thanks to friendship and teamwork, so when you stop and think about it he’s pretty much the only guy for this job.” – Sean Burns, Spliced Personality

“With both its humor and action, STAR TREK BEYOND provides what’s needed for it to be absorbing and delightful.” – Jaskee Hickman, Cinematic Essential

“As worthy an entry in the STAR TREK canon as we’ve had in well over a decade (probably the best overall movie in the franchise since THE VOYAGE HOME in 1986.” – Bob Chipman,

“There’s no complex ethical conundrum at the movie’s core, but there is a reliable message: Fear can be used to manipulate entire civilizations, and there are bad guys out there willing to exploit it for just that reason.” – Kilian Melloy, EDGE

“Longtime fans will remember that there used to be a rule of thumb about the movies: the “even ones” were the good ones.  Now with the reboots it looks like the rule will be look out for the “odd ones.” – Daniel Kimmel, North Shore Movies

“Easily completes its mission as a fun and energetic sequel that will keep the audience entertained and thrilled during its 120-minute running time.” – John Hanlon, Townhall



“Probably the laziest to date, but it still manages to provide a tolerable enough time at the movies that to hate it feels excessive, and to love it or even like it feels superfluous as well.” - Greg Vellante, EDGE

“For the first time there’s enough humor for the adults to make it bearable enough to sit through with the kids.” – Daniel Kimmel, North Shore Movies 


the fitsTHE FITS

“She’s got a watchful gaze and a naturally commanding screen presence; imagine if Steve McQueen was an eleven-year-old black girl and you’re starting to get the idea.” – Sean Burns, Spliced Personality



“Echoes the TV version on a larger and more lavish scale — look! Edina’s kitchen leads out into a garden! — but it all comes back to the characters.” – Kilian Melloy, EDGE

“Spends far too much time trying to get the audience to care about these characters we have been gleefully emotionally distant from, and it sacrifices precious screen time in doing so.” – Deirdre Crimmins, Cinematic Essential


cafe societyCAFE SOCIETY

“Allen’s best since “Midnight in Paris,” and they’d make a great double bill, both films interrogating a warm and fuzzy nostalgia that’s incredibly soothing and ultimately useless.” – Sean Burns, WBUR


microbe and gasolineMICROBE AND GASOLINE

“Gondry’s intentions (and young actors) are good, even as this likable film suffers from a pesky lack of cohesiveness.” – Norm Schrager, Film Racket

“There are singular moments — like waiting in line at the beginning of the school year, making awkward eye contact with peers, studying how people have changed — that transported me back to my youth like a cinematic catapult.” – Greg Vellante, EDGE