STUBER
“A decent enough movie to watch, but it’s not something I would suggest people go out of their way to see.” – Jaskee Hickman, Cinematic Essential
“Will never enter the history books as one of the greats, but a few jokes save it from being a total loss.” – Deirdre Crimmins, HighDef Digest
SPIDER-MAN: FAR FROM HOME
“In spite of me not liking the direction they take as much as I wanted to, SPIDER-MAN: FAR FROM HOME is a movie that I liked overall.” – Jaskee Hickman, Cinematic Essential
“There’s an incredibly charming high school romance in FAR FROM HOME, but it’s buried under IRON MAN 4.” – Sean Burns, North Shore Movies
“…may not be the best movie to ever come out of the Marvel Cinematic Universe, but it would be hard to find a more necessary one.” – John Black, Gruesome Magazine
MIDSOMMAR
“With MIDSOMMAR, A24′s struggles with horror movies continue.” – Jaskee Hickman, Cinematic Essential
“ At a time where the studios play it safe with lot of pre-sold sequels, MIDSOMMAR takes a chance on something different.” – Daniel M. Kimmel, North Shore Movies
“Amid all the entrails and ritual sacrifice, MIDSOMMAR is also a droll comedy of manners, an irresistible revenge fantasy and a warning to bad boyfriends everywhere.” – Sean Burns, The ARTery
“MIDSOMMAR plays like a slow and inevitable train wreck. It may not surpass Aster’s previous film, but it does show us that not all horrors live in the dark.” – Deirdre Crimmins, High-Def Digest
UNDER THE SILVER LAKE
“Part of the reason I think everybody’s arguing about UNDER THE SILVER LAKE is because it’s a movie very much worth arguing about.” – Sean Burns, The ARTery
“…a shimmering paranoiac fever dream, where [the protagonist's] quest for the truth (of why girls don’t like him) is told in the languages of hard-boiled detective noir as well as surrealist horror…” – Andy Crump, Polygon
WILD ROSE
“Rough around the edges it might be, like its heroine, but WILD ROSE is a song worth listening to.” – Allyson Johnson, Cambridge Day
“Familiarity isn’t a bad thing, mind, and WILD ROSE presents a version of that star-is-born narrative that works in spite of it…” – Andy Crump, Paste Magazine
ANNABELLE COMES HOME
“If you’ve enjoyed the series, this will work, but beyond that it’s hard to see this entry winning new converts.” – Daniel M. Kimmel, North Shore Movies
“Most scary movies aren’t really. A lot of people go into them wanting them to be, but we ultimately just want to have a good time. If you can do that, you’ll keep us coming back for more.” – Jaskee Hickman, Cinematic Essential
“We’ve seen plenty of haunted house movies and plenty creepy doll movies, and plenty of babysitting gone amuck movies, but that doesn’t mean there isn’t room for one more, so long as it’s done right. ANNABELLE COMES HOME does it right.” – Deirdre Crimmins, High-Def Digest
“This isn’t a movie in search of a greater meaning. It just needs to be entertaining. But it does both, and better still, it bothers to be creative.” – Andy Crump, Paste Magazine
YESTERDAY
“YESTERDAY is a tribute to the Beatles as well as a rich comedy… it’s one of the best movies you’re likely to see this year.” – Daniel M. Kimmel, North Shore Movies
“While some of it is undeniably heavy-handed, much of the film’s philosophy has a tender touch.” – Greg Vellante, Spectrum Culture
THE SPY BEHIND HOME PLATE
“The flat, functional visuals and deliberately artless presentation had me thinking more than once this might be better off as a podcast. Maybe the third Moe Berg movie will finally get it right.” – Sean Burns, The ARTery
TOY STORY 4
“So, after the brilliant and emotional conclusion to TOY STORY 3, was there possibly anything left to be said? As it turns out, there was.” – Daniel M. Kimmel, North Shore Movies
“…in a summer when studios have released almost nothing but underwhelming and underperforming sequels, sandwiched between Disney’s mega-budget remakes of ALADDIN and THE LION KING, the mildly amusing, profoundly unnecessary TOY STORY 4 leaves one starving for something more than just reheated comfort food.” – Sean Burns, The ARTery
“The amount of love put into this film by its creative team is only trumped by the love that it filled the audience with.” – Byron McNeal, Nerd Caliber
“Was TOY STORY 4 really necessary? No, but we’d be lying a bit if we were resistant towards Disney’s specific brand of nostalgia.” – Sam Cohen, Edge Boston
“If this is the end of the TOY STORY run, it leaves on a positive note.” – Jaskee Hickman, Cinematic Essential
MEN IN BLACK: INTERNATIONAL 
“This is precisely the type of movie you’ll forget you saw, even if you don’t dislike watching it.” – Deirdre Crimmins, High-Def Digest
THE DEAD DON’T DIE
“This is the first Jarmusch film that feels behind the curve instead of ahead of it.” – Sean Burns, The ARTery
“What’s increasingly odd about the casual nature of the plot and aesthetic of THE DEAD DON’T DIE is that it, like a zombie, wants to sneak up on you and leave a mark.” – Sam Cohen, Edge Boston
“It is, in every way, a zombie film only [Jim] Jarmusch would make. But defying its own hype, that’s a bug instead of a feature.” – Andy Crump, Paste Magazine
SHAFT
“Ultimately, SHAFT is much more fun than I thought it was going to be.” – Jaskee Hickman, Cinematic Essential