WE ARE YOUR FRIENDS

“WE ARE YOUR FRIENDS could have benefited from focusing on the relationships at play as well as actually attempting to create some type of friction throughout the film.” – Jaskee Hickman, Cinematic Essential

“Like the keystrokes of an electronic musician filled with self-importance and naivety, WE ARE YOUR FRIENDS is a track sampled from so many other artists it ends up being a complete tonal misfire.” – Sam Cohen, Under the Gun Review

NO ESCAPE

“There’s something begrudgingly spectacular about the film’s commitment to nastiness. It’s mean, ugly button-pushing all-around – not even bothering to invent a fictional country nor to give any reason for the coup.” – Sean Burns, Spliced Personality

“In the end, NO ESCAPE fails because the people behind it don’t know how to make a film that can captivate an audience.” – Jaskee Hickman, Cinematic Essential

“American Nuclear Family Exceptionalism is the fantasy on offer here, and everything else — thin plotting and cardboard characters included — function only in support of that wishful thinking.” – Kilian Melloy, Edge Boston

DIGGING FOR FIRE

“…DIGGING FOR FIRE is so vapid I can only feel pity for the people who find it interesting.” – David Riedel, Santa Fe Reporter

“…the beats here aren’t written, they’re riffed.” – Jake Mulligan, Dig Boston

“DIGGING FOR FIRE is the kind of film where nobody learns anything, and where that lack of learning is supposed to feel conclusive.” – Andy Crump, Movie Mezzanine

LEARNING TO DRIVE

“The film focuses on the dramatic content of everyday situations…” – Kilian Melloy, Edge Boston

“LEARNING TO DRIVE fails to realize what the more meaningful story is within the film.” – Deirdre Crimmins, Cinematic Essential

Z FOR ZACHARIAH

“This is the sort of fiction that makes you look at real life through a slightly different filter: One that shows the beast lurking just under civility’s placid surface.” – Kilian Melloy, Edge Boston