BOFCA Repertory Podcast: November 2018
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BOFCA REVIEW ROUND-UP: 11/02/2018
BOHEMIAN RHAPSODY
“Watching Queen come together, work together, and perform elevates the movie and gives it just about all of the value that it has.” – Jaskee Hickman, Cinematic Essential
“[Malek] burns up the screen as Mercury whether dealing with intimate personal issues, ego-driven conflicts behind the scenes, or on stage in performance.” – Daniel M. Kimmel, North Shore Movies
SUSPIRIA
“SUSPIRIA is cut off from the aesthetic pleasures of [Guadagnino’s] previous pictures, suffocated in the self-serious stupidity of trying to make his sexy witch movie into a statement about the Holocaust.” – Sean Burns, North Shore Movies
“SUSPIRIA is wholly its own film and offers frantic energy and lush visuals to make for a nearly perfect cinematic experience.” – Deirdre Crimmins, High-Def Digest
THE NUTCRACKER AND THE FOUR REALMS
“… an imaginative and charming movie for the upcoming holiday season.” – Daniel M. Kimmel, North Shore Movies
“Were it not for the lush art direction and occasional nods to Tchaikovsky, THE NUTCRACKER AND THE FOUR REALMS would be a vapid, money-grabbing release for the Christmas season.” – Deirdre Crimmins, High-Def Digest
WILDLIFE
“…a quietly devastating work from Dano, leaving behind scar tissue you may not even notice until the credits have rolled.” – Charlie Nash, Edge Boston
“…WILDLIFE, while distant in its approach at the start, is a lingering familial drama that promises a rising, directorial talent.” – Allyson Johnson, Cambridge Day
CAN YOU EVER FORGIVE ME?
“The greatest pleasure CAN YOU EVER FORGIVE ME? offers, though, is the chemical reaction between [Melissa] McCarthy and [Richard E.] Grant, perhaps an unlikely pairing but no more perfect a pairing than you will find in theaters as we roll into the juddering doldrums of awards season.” – Andy Crump, Paste Magazine
MUSEO
“…in the end it’s the questions this restlessly intelligent film asks about the shifting values we ascribe to objects that make “Museo” worth the price of a ticket.” – Sean Burns, The ARTery
MONROVIA, INDIANA
“MONROVIA, INDIANA begins with a series of strikingly beautiful, postcard-worthy vistas featuring cornfields, mailboxes, blue skies and assorted other familiar, stock images of Americana. It ends with a shot of a grave.” – Sean Burns, The ARTery
BOFCA MID-WEEK ROUNDUP 10/31/2018
Spoilerpiece Theatre talks BOHEMIAN RHAPSODY, MID90S and HOLD THE DARK
Max Covill looks at the finale of THE CHILLING ADVENTURES OF SABRINA
Bob Chipman talks Classic Scary Movies and SUICIDE SQUAD 2
Dave Riedel talks scary movies
Jared Bowen looks at MEASURE FOR MEASURE and WINNIE THE POOH: EXPLORING A CLASSIC
Charlie Nash reviews WILDLIFE
Sean Burns looks back at WANDA
Andrew Crump talks Films By Women and HALLOWEEN
Joyce Kulhawik reviews THE TRAGIC ECSTASY OF GIRLHOOD, ALL MY SONS and FUN HOME
Jaskee Hickman reviews THE GUILTY
Daniel M. Kimmel reviews CHASING THE BLUES and MOLLY
BOFCA REVIEW ROUND-UP: 10/26/2018
MID90S
“…this film does a lot of things right, yet leaves much to be desired at the same time.” – Greg Vellante, Edge Boston
“…the roughness of Hill’s boxy, 16mm compositions cast their own spell.” – Brett Michel, The Improper Bostonian
“There’s a lackadaisical, conflict-averse quality to this picture that leaves a galling aftertaste.” – Sean Burns, The ARTery
HUNTER KILLER
“HUNTER KILLER insults the intelligence of its audience, plays into decades-old politics, and wastes the talents of some solid actors. It’s wholly without value.” – Deidre Crimmins, High-Def Digest
“Like the recent HALLOWEEN, it is an unapologetic genre film that treats its material – and the audience – with respect.” – Daniel M. Kimmel, North Shore Movies
JOHNNY ENGLISH STRIKES AGAIN
“Fans of the two previous JOHNNY ENGLISH films will find this on par with the previous efforts, as will those who have enjoyed Atkinson’s turn as the equally inane Mr. Bean.” – Daniel M. Kimmel, North Shore Movies
“JOHNNY ENGLISH STRIKES AGAIN is perfectly fine in its own right, but its naiveté feels dated and unnecessary. For a spy film with car chases and explosions, it falls flat and fails to fully engage.” – Deirdre Crimmins, High-Def Digest
“Sure, it’s silly fun that you might forget the moment you leave the theater, but given these tense times, that might be enough.” – Brett Michel, The Improper Bostonian
“If you found any sort of value in the first two movies in the trilogy and know what to expect ahead of time, you should give JOHNNY ENGLISH STRIKES AGAIN a chance.” – Jaskee Hickman, Cinematic Essential
WHAT THEY HAD
“WHAT THEY HAD feels like a timely film, given the aging population in America, and will likely strike a nerve with people who are struggling with elder care issues in their own families.” – Deirdre Crimmins, High-Def Digest
THE PRICE OF EVERYTHING
“THE PRICE OF EVERYTHING is not hard-hitting investigative journalism. It’s a soft, though sporadically prying, look at the high prices and high living of art dealers and collectors today.” – Deirdre Crimmins, High-Def Digest
BOFCA REVIEW ROUND-UP: 10/19/2018
HALLOWEEN
“This HALLOWEEN is so much fun they’ll probably ruin it with a bunch of sloppy sequels.” – Sean Burns, The ARTery
“HALLOWEEN feels more like a slow-moving action movie than it did a horror film.” – Jaskee Hickman, Cinematic Essential
“This new HALLOWEEN succeeds in a way that very few of the progeny of Carpenter’s classic have done: it scares and it entertains, but you don’t have to check your brain at the door.” – Daniel M. Kimmel, North Shore Movies
BEAUTIFUL BOY
“Just like the young man at its center, the film is evocative, at times dazzling and too frequently unreliable as a source of consistent storytelling, but it will manage to wrangle your wandering and aching heart by the end.” – Allyson Johnson, The Young Folks
THE HAPPY PRINCE
“…[Rupert] Everett’s Wilde projects great warmth and humor, even during the darkest of days, aided by John Conroy’s sumptuous cinematography and Gabriel Yared’s achingly lovely score.” – Brett Michel, The Improper Bostonian
THE GUILTY
“All of what we have in THE GUILTY comes together to create a thriller that you won’t really get to experience anywhere else at the moment.” – Jaskee Hickman, Cinematic Essential