Bob Chipman, Steve Head, Sean Burns and Deirdre Crimmins break down Boston’s July 2016 repertory screening scene.
The Post-Movie Podcast talks FINDING DORY, DR. STRANGELOVE and CUTTER’S WAY
Tim Estiolz shows off how to draw Donald Trump
Monica Castillo joins Mousterpiece Cinema to discuss FINDING DORY
Kristofer Jenson offers Editor’s Picks on Boston Reel, reviews MCCABE & MRS. MILLER and talks The Roxbury International Film Festival
Norm Schrager looks back at THE GREY
Bob Chipman talks more X-MEN movies and spoiler-filled symbolism in THE NEON DEMON
Kilian Melloy reviews WEINER DOG
Spoilerpiece Theatre talks FINDING DORY, FERRIS BUELLER and THE UNTOUCHABLES
Andy Crump interviews Penny Lane for NUTS!
Joyce Kulhawik reviews SHOWBOAT
INDEPENDENCE DAY: RESURGENCE
“Like most Emmerich films, it’s chintzy, annoying and seems to go on forever.” – Sean Burns, North Shore Movies
FREE STATE OF JONES
“With its epic sweep and powerful perfomances shedding light on a little-known chapter of American history, this would have seemed like prime Oscar bait for an autumn release. Instead, its being thrown away now, where it will not likely last long in theaters.” – Daniel M. Kimmel, North Shore Movies
THE NEON DEMON
“…it’s Refn at his most unwieldy and funny; like if Dario Argento decided to remake SHOWGIRLS and did so with the questionable moral ethics of Stanley Kubrick’s LOLITA.” – Sam Cohen, Substream Magazine
“[Refin’s] film is a Terry Richardson print that’s been slathered in gore and stationed under a strobe light.” – Jake Mulligan, Dig Boston
“THE NEON DEMON is not easy to watch or easy to follow, but its dark humor and even darker opinion of humanity makes it one of the best films of 2016.” – Deirdre Crimmins, Film Thrills
UNLOCKING THE CAGE
“It’s sobering stuff that invites our compassion instead of baiting it.” – Andy Crump, The Playlist
THREE
“…minor To is better than major films by most any other contemporary filmmaker you can imagine. It’s also better than no To at all.” – Andy Crump, Paste Magazine
Allyson Johnson launches the Finding Her Voice podcast
Derek Deskins reviews SLASH
Sean Burns looks at DE PALMA
Kristofer Jenson looks at THE DYING OF THE LIGHT and offers his Boston Reel Editor’s Picks
Megan Kearns made Screen Queen’s List of 15 Women Film Critics You Should Be Reading
Bob Chipman looks back on The X-MEN Movies
Brett Michel reviews DHEEPAN
Kilian Melloy talks Fiddlehead Theatre Company and Bedlam’s Twelfth Night
Andrew Crump looks at RAIDERS! and The 100 Greatest Westerns of All Time
Spoilerpiece Theatre talks FINDING DORY, FERRIS BEULLER and THE UNTOUCHABLES
Joyce Kulhawik looks at The Tony Awards, Boston’s Summer Stage Scene and MATILDA
Jake Mulligan digs into Lucio Fulci’s CAT IN THE BRAIN
FINDING DORY
“FINDING DORY is a solid effort and a nice comeback from last year’s THE GOOD DINOSAUR, but make no mistake––unlike last year’s brilliant “Inside Out,” this is not the best American animated feature we’ve seen this year.” – Daniel M. Kimmel, North Shore Movies
“The best parts of the film are the too few occasions when it pauses for long enough to let us drink in the majesty of what we’re being shown.” – Sean Burns, Spliced Personality
“FINDING DORY is a weird entry for Pixar in that it feels like it should actually be a lot darker than it is.” – Bob Chipman, MovieBob
“Overall, there is a good movie for kids here that more than likely will not disappoint.” – Jaskee Hickman, Cinematic Essential
CENTRAL INTELLIGENCE
“Thanks in no small part to these two lead performances, the movie has a heart as big as its Johnson.” – Sean Burns, Spliced Personality
“Hart and Johnson both have a real gift for effortlessly grooving with other performers, so giving them a stage to groove on naturally lends itself to easy viewing.” – Andy Crump, Paste Magazine
“In the end, CENTRAL INTELLIGENCE works mainly because it knows what it is, but it still manages to try a few new things.” – Jaskee Hickman, Cinematic Essential
“CENTRAL INTELLIGENCE is a buddy comedy done right. For a change, there was some intelligence on both sides of the camera.” – Daniel M. Kimmel, North Shore Movies
DE PALMA
“One of the best movies ever made about making movies, DE PALMA s not a film for those who wish to retain romantic notions about an artist’s process.” – Sean Burns, The ARTery
“De Palma is a great artist, but the greatest pleasure of DE PALMA is that he never speaks like one.” – Jake Mulligan, Dig Boston