BOFCA REVIEW ROUNDUP 12/20

ANCHORMAN 2: THE LEGEND CONTINUESANCHORMAN 2: THE LEGEND CONTINUES

“There’s an expectation to live up to the original, tossing aside new content in favor of recalling those catchphrases and iconic moments.”  – Monica Castillo, Movie Mezzanine

“There’s no doubt that McKay and Ferrell are playing big and broad here, discarding nuance entirely for on-the-nose commentary.” – Andrew Crump, Go-See-Talk

“ANCHORMAN 2 checks off a lot of the boxes you’d expect it to check off, sure, but it also checks off a bunch of boxes you didn’t know existed.” – Jake Mulligan, EDGE

“There’s a surprising amount of plot, which is the same thing that killed BACK TO THE FUTURE PART II.” – David Riedel, Santa Fe Reporter

“About all anyone could reasonably expect from the unnecessary sequel to one of the best comedies of all time.” – Bob Chipman, Escapist

 

AMERICAN HUSTLEAMERICANHUSTLE

“It’s exhausting. There are no stakes. There are wigs and braless dresses and fat suits and perms. There is nothing resembling a compelling character or story.” – David Riedel, Santa Fe Reporter

“It joins the pantheon of great con job movies with THE STING, HOUSE OF GAMES and WILD THINGS. – Dan Kimmel, North Shore Movies

“Hang onto your hair and pay attention to the details lest you get caught with your brain exposed.” – Joyce Kulhawik, Joyce’s Choices

 

Inside-Llewyn-Davis-Ulysses-Oscar-Isaac-618x400INSIDE LLEWYN DAVIS

“The film positions itself as a lost artifact from an imagined world, one that few even bother to imagine much anymore — a perfect treatment for a narrative about an artist that no one was ever going to bother to remember.” – Jake Mulligan, EDGE

“That’s Llewyn in a nutshell: He’s the friend you’ll always let sleep on your couch, even though he brings almost nothing but ill tidings.” – Andrew Crump, In Review Online

“INSIDE LLEWYN DAVIS is my favorite movie in years. It’s the Coens’ most melancholic reverie, ditching their usual clockwork plotting for a loosey-goosey collection of anecdotes that only reveal themselves to be impeccably structured in retrospect.”- Sean Burns, Improper Bostonian

“He is angry. He is frustrated by the way his life is going, and the way that he’s struggling so hard to make this work.” – Monica Castillo, Cinephiliacs Podcast

“An unexpected gem, a movie that seems completely familiar while turning narrative convention on its ear again and again.” – Norm Schrager, Meet In The Lobby
WALKING WITH DINOSAURS 3DWALKINGDINO

“It gets this critic’s traditional back of the hand for this kind of kid’s movie: parents should flip a coin… and the loser has to take them.” – Dan Kimmel, North Shore Movies

“This new 3D spectacle is a visual miracle. The animation comes alive through a celebration of corporeality: the jiggle of fat, the stretch and release of sagging skin, the tide-like motions of tendons and arteries beneath pebbled skin.” – Inkoo Kang, Village Voice

BOFCA REVIEW ROUNDUP 12/13

THE HOBBIT: THE DESOLATION OF SMAUGHOBBIT2

“Hollywood films like THE HOBBIT and THE AVENGERS and so many more are re-appropriating the standards and structure of old-school serials, always building toward the next chapter, but they stretch on for three times as long. It’s exhausting.” – Jake Mulligan, EDGE

“A significant improvement in every way, save that its triumphs make its predecessor’s shortcomings all the more apparent.” – Bob Chipman, Escapist

“We’ll just have to wait for next year’s conclusion,THERE AND BACK AGAIN, to see whether it was worth the detours.” – Kristofer Jenson, DIG Boston

“There’s a dispiriting lack of energy in this second adventure; there’s no spring in Jackson’s step.” – Monica Castillo, Movie Mezzanine

“I didn’t hate it. It’s not converting me to a fan of elves and dwarves and orcs and hobbits, but considering its running time and that there’s one more film to go, consider it high praise from a vocal non-fan that I wasn’t bored. I can only imagine what true believers will make of it.” – Daniel Kimmel, North Shore Movies

“This a case of just-too-muchery, more for the sake of more, which is neither strictly a negative thing nor the best way to approach bringing every nook and cranny of Tolkien’s world to life.” – Andrew Crump, Go-See-Talk

“A bajillion times better than the previous installment, THE HOBBIT: AN UNEXPECTED PIECE OF SHIT.” – David Riedel, Santa Fe Reporter

 

SAVING MR. BANKSSAVINGBANKS

“Your enjoyment of the film will depend on how you take your grandfatherly figures and traumatic childhood flashbacks, and how long you want to spend in the Disney vault.” – Monica Castillo, DIG Boston

“The great irony, though, is that there is some serious revisionism and whitewashing going on to make one of the characters more agreeable… it’s just not Walt Disney.” – Bob Chipman, Escapist

“The moments are there. The story has a chance. But in the world of Disney entertainment, this is far from an E-ticket ride.” – Norm Schrager, Meet In The Lobby

“If you can enjoy this as a fictional gloss on the real story, it is quite entertaining. If you walk away thinking that Disney finally won over Travers who loved what he did with her work, you’ll have jumped into one of Bert’s chalk pictures and left the real world behind.” – Dan Kimmel, North Shore Movies

 

TYLER PERRY’S A MADEA CHRISTMAS131328_bc

“Lee Daniels tried to sell out but he just somehow couldn’t. Meanwhile Tyler Perry is on the nearest street corner with a “FOR SALE” sign around his neck in a skirt shorter than anything Madea ever wore.  This movie is gross.” – Sean Burns, Technology Tell

BOFCA AWARDS: 2013

THE 2013 BOSTON ONLINE FILM CRITICS ASSOCIATION AWARDS

SLAVE BEST PICTURE

 BEST PICTURE: 12 YEARS A SLAVE

SLAVE DIRECTOR

BEST DIRECTOR: Steve McQueen, 12 YEARS A SLAVE

SLAVE EJIOFOR

BEST ACTOR: Chiwetel Ejiofor, 12 YEARS A SLAVE

BLANCHETT ACTRESS

BEST ACTRESS: Cate Blanchett, BLUE JASMINE

LETO ACTOR

BEST SUPPORTING ACTOR: Jared Leto, DALLAS BUYERS CLUB

NYONGO ACTRESS

BEST SUPPORTING ACTRESS: Lupita Nyong’o, 12 YEARS A SLAVE

BEFORE MIDNIGHT

BEST SCREENPLAY: BEFORE MIDNIGHT

BLUE WARMEST

BEST FOREIGN LANGUAGE FILM: BLUE IS THE WARMEST COLOR

ACT KILLING

BEST DOCUMENTARY: THE ACT OF KILLING

FROZEN TIE

WIND TIEBEST ANIMATED FILM: THE WIND RISES and FROZEN (tie)

LLEWYN DAVIS

BEST CINEMATOGRAPHY: INSIDE LLEWYN DAVIS

SLAVE EDITING

BEST EDITING: 12 YEARS A SLAVE

SLAVE SCORE

BEST ORIGINAL SCORE: 12 YEARS A SLAVE

twelve-years-a-slave-michael-fassbender

BEST ENSEMBLE: 12 YEARS A SLAVE

THE TEN BEST FILMS OF THE YEAR:

1. 12 YEARS A SLAVE
2. INSIDE LLEWYN DAVIS
3. THE WOLF OF WALL STREET
4. GRAVITY
5. BEFORE MIDNIGHT
6. THE SPECTACULAR NOW
7. BLUE IS THE WARMEST COLOR
8. SPRING BREAKERS
9. THE WORLD’S END
10. FRUITVALE STATION

Boston Online Film Critics Association

BOFCA REVIEW ROUNDUP 12/6

OUT OF THE FURNACE

“The movie has atmosphere to spare, although the characters remain archetypes: the stoic hero, the troubled brother, the morally ambiguous friend, the psychopathic villain, the well-meaning sheriff who can’t go far enough.” – Daniel Kimmel, North Shore MoviesFURNACE

“Cooper seems to like letting scenes play out for a lot longer than they probably should, and presents moldy clichés as if he was just discovering them for the first time.” – Sean Burns, Technology Tell

“You can take the Oscar bait out of the gritty revenge thriller, but you can’t take the gritty revenge thriller out of the Oscar bait.” – Andrew Crump, Go-See-Talk

 

THE PUNK SINGERPUNK SINGER

“Exists as a work that’s simultaneously joyful and tragic, though that contradiction only makes Anderson’s film feel even more transparent and honest.” – Andrew Crump, Go-See-Talk

“Fascinatingly traces the evolution of a woman who once sang, ‘I’m your worst nightmare come to life’ in her youth, was hated at a formative age for all the wrong reasons and now has forged a quiet but committed existence as an ailing revolutionary.” – Inkoo Kang, LA Times

“Just don’t try to tell her that her story or her ideas carry less weight than those of men. She won’t have it.” – Kilian Melloy, EDGE

 

beautyTHE GREAT BEAUTY

“If [actor Toni Servillo]’s presence feels similar to Marcello Mastroianni’s in LA DOLCE VITA that’s no mistake. It’s just that LA DOLCE VITA didn’t seem to be grasping at straws.” – David Riedel, Santa Fe Reporter

“A monumental act of hubris made more impressive by being pulled off so splendidly.” – Sean Burns, Philadelphia City Paper

“More than anything, this is a work of self-refinement.” – Andrew Crump, Go-See-Talk

“The film’s slightly heavy length and loose narrative won’t be to everyone’s tastes; but the endless charm, the boundless creativity and Luca Bigazzi’s cinematography are inarguably wondrous.” – Norm Schrager, Meet In The Lobby