BOFCA AWARDS: 2013

THE 2013 BOSTON ONLINE FILM CRITICS ASSOCIATION AWARDS

SLAVE BEST PICTURE

 BEST PICTURE: 12 YEARS A SLAVE

SLAVE DIRECTOR

BEST DIRECTOR: Steve McQueen, 12 YEARS A SLAVE

SLAVE EJIOFOR

BEST ACTOR: Chiwetel Ejiofor, 12 YEARS A SLAVE

BLANCHETT ACTRESS

BEST ACTRESS: Cate Blanchett, BLUE JASMINE

LETO ACTOR

BEST SUPPORTING ACTOR: Jared Leto, DALLAS BUYERS CLUB

NYONGO ACTRESS

BEST SUPPORTING ACTRESS: Lupita Nyong’o, 12 YEARS A SLAVE

BEFORE MIDNIGHT

BEST SCREENPLAY: BEFORE MIDNIGHT

BLUE WARMEST

BEST FOREIGN LANGUAGE FILM: BLUE IS THE WARMEST COLOR

ACT KILLING

BEST DOCUMENTARY: THE ACT OF KILLING

FROZEN TIE

WIND TIEBEST ANIMATED FILM: THE WIND RISES and FROZEN (tie)

LLEWYN DAVIS

BEST CINEMATOGRAPHY: INSIDE LLEWYN DAVIS

SLAVE EDITING

BEST EDITING: 12 YEARS A SLAVE

SLAVE SCORE

BEST ORIGINAL SCORE: 12 YEARS A SLAVE

twelve-years-a-slave-michael-fassbender

BEST ENSEMBLE: 12 YEARS A SLAVE

THE TEN BEST FILMS OF THE YEAR:

1. 12 YEARS A SLAVE
2. INSIDE LLEWYN DAVIS
3. THE WOLF OF WALL STREET
4. GRAVITY
5. BEFORE MIDNIGHT
6. THE SPECTACULAR NOW
7. BLUE IS THE WARMEST COLOR
8. SPRING BREAKERS
9. THE WORLD’S END
10. FRUITVALE STATION

Boston Online Film Critics Association

BOFCA REVIEW ROUNDUP 11/29

FROZENFROZEN

“…this may be the best animated offering out of Hollywood this year.” – Daniel Kimmel, North Shore Movies – Daniel Kimmel, North Shore Movies

“Succeeds in updating, modernizing and even critiquing the [Disney Princess] franchise-formula – without turning into a SHREK-style jaded gagfest.” – Bob Chipman, Escapist (Spoiler-free. In-depth piece w/spoilers HERE)

 

HOMEFRONTHOMEFRONT

“It’s not exactly idiosyncratic, but at least it doesn’t feel as if it came off the focus-tested-$150-million-movie conveyor belt.” – Jake Mulligan, EDGE

“A straightforward thriller with beatings, shootings, a young girl in peril, and a stoic hero who never loses his cool. It’s worked before. There’s no reason it shouldn’t work again.” – Daniel Kimmel, North Shore Movies

“You can think James Franco’s turn in SPRING BREAKERS was the defining supporting performance of this year and still want to watch him get his block knocked off by Statham. At least I do.” – Sean Burns, The Improper Bostonian

 

OLDBOYOLDBOY

“I liked this movie fine but I’ll get back to you when I figure out a reason why it exists.” – Sean Burns, Technology Tell

 

 

PHILOMENAPHILOMENA

“Provokes fury and outrage, but also supplies a balm in the form of truly gracious forgiveness.” – Kilian Melloy, EDGE

“Needless to say, the grande dame’s performance, alternately goofy and grave, is an absolute tour de force.” – Inkoo Kang, Village Voice

 

BLACK NATIVITYBLACKNATIVITY

“It’s goofy and probably very easy to mock, but so full of positivity and good spirits that I can’t imagine why anybody would want to bother.” – Sean Burns, Technology Tell

“Lemmons hits all of the expected notes that come prepackaged with this sort of picture; call it corny and hammy, because it is, but she’s more than up to the task of making all of the expected “stuff” of its archetype work.” – Andrew Crump, Go-See-Talk

 

NEBRASKANEBRASKA

“This is more of a melancholic reverie than a young man’s outburst – this once-furious auteur has grown up, and mellowed out.” – Jake Mulligan, Movie Mezzanine

“Payne cobbles together a shockingly accurate portrait of the US’s flyover states, at least as envisioned by those of us living on the East and West coasts; they’re desolate, barren, cultural wastelands, places that time has forgotten, populated by people modernity has passed by.” – Andrew Crump, Go-See-Talk

“It’s a gimmicky sitcom script gussied up with “artful” affectations borrowed from the New Hollywood heyday of the early ’70s. Except it doesn’t even get those right.” – Sean Burns, The Improper Bostonian