BOFCA MID-WEEK ROUNDUP 8/24/2016

Jake Mulligan talks INTO A DREAM

Evan Crean interviews Eric Latek

Spoilerpiece Theatre digs into WAR DOGS, KUBO and LO AND BEHOLD

Max Covill talks movie trailers and Jai Courtney

Sean Burns reviews THE KILLING JOKE, talks his Ten Best of 1982 and looks back at GET CARTER and POINT BLANK

Joyce Kulhawik reviews THE WITNESS

Andy Crump interviews Ira Sachs and reviews THE LOST ARCADE, THE GET DOWN and Herzog’s LO AND BEHOLD

Bob Chipman talks SPIDER-MAN casting and also in video form

John Hanlon talks Meryl Streep

Deirdre Crimmins interviews Steven Shainberg and wraps up Fantasia Fest

Kristofer Jenson presents Boston Reel Editors’ Picks

 

BOFCA REVIEW ROUND-UP: 08/19/2016

Kubo-and-the-Two-Strings-final-trailer-imageKUBO AND THE TWO STRINGS

“KUBO AND THE TWO STRINGS is one of the year’s best films — a singular, soulful and sensational work of visual artistry and impeccable storytelling.” – Greg Vellante, Edge Boston

“To say that I enjoyed KUBO AND THE TWO STRINGS would be a categorical understatement. The film’s visuals, storytelling, and characters made it a lovely and occasionally tense world to visit.” – Deirdre Crimmins, Cinematic Essential

“This very well might end up being the best animated film 2016 has to offer based on the artistry alone, and to some, one of the best the cinematic year has to offer, period.” – Allyson Johnson, The Mary Sue

“…a tale of monsters and heroes, swords and sorcery, legends brought to vivid life with a surplus of heart, where reckoning with grief is a more daunting feat than slaying a kraken.” – Andy Crump, Paste Magazine

“Even in a year that has seen some creative and entertaining animated films, KUBO AND THE TWO STRINGS would be a standout.” – Daniel M. Kimmel, North Shore Movies

“Is it as good as previous high water mark PARANORMAN? Well, no, but few things are.” – Bob Chipman, Geek.com


ben-hur-toby-kebbellBEN-HUR

“In this age of farcically demagogic presidential candidates and Bernie or Busters, a tale of irrationally driven zealots and the calmer voices that seek to contain them ought to resonate; it’s a feat in itself that the film misses that mark, its morale overshadowed by action-oriented set pieces and drowned in sentimental malarky that’s even more mawkish than in the 1959 version of the story.” – Kilian Melloy, Edge Boston

“And just how fast is Charlton Heston, star of the classic – and definitive – 1959 version of the story spinning in his grave?” – John Black, Boston Event Guide

“If you want to know why this new BEN-HUR is dead on arrival here’s the answer in a nutshell: Hollywood no longer knows how to do period epics.” – Daniel Kimmel, North Shore Movies

 

thumbnail_24172WAR DOGS

“…for a true story, it also feels terribly formulaic, especially when it comes to the character dynamics.” – Kilian Melloy, Edge Boston 

“By treating this is as a caper movie, “War Dogs” provides the requisite action and laughs. Yet it glosses over the actual impact of our involvement in Iraq and Afghanistan…” – Daniel Kimmel, North Shore Movies

“WAR DOGS is a movie about making money during times of war, but it never feels as if there’s a threat to anyone.” – Jaskee Hickman, Cinematic Essential

 

 

lo-and-beholdLO AND BEHOLD, REVERIES OF THE CONNECTED WORLD

“…perhaps the biggest question left for the viewers to dwell on is: Will our dreams ever stop?” – Greg Vellante, Edge Boston

“You didn’t expect a Werner Herzog documentary about the significance of the internet in our daily lives, and how it might alter our future, to fall in the ballpark of “cheerful,” did you?” – Andy Crump, Paste Magazine