BOFCA REVIEW ROUND-UP 10/11

CAPTAIN PHILLIPS CAPTAIN PHILLIPS

“The name to note, though, is Paul Greengrass. [He is] a filmmaker with a solid vision behind the camera, and this ought to secure his position in the current front ranks of filmmakers.” – Dan Kimmel, North Shore Movies

“What we have here is a bait-and-switch: a man who wants to criticize a particular mode of American thinking while pitching his movie at a tenor that will allow him to make money off the exact audience he’s trying to undercut. I don’t buy into that.” – Jake Mulligan, Letterboxd

“Sometimes when watching a movie that’s particularly emotionally distressing, one has to ask, ‘Just how much harrowing adversity can we watch these characters go through? What’s the endgame here?'”- Dave Riedel, Santa Fe Reporter

“The kind of movie that makes the Fall prestige season not only tolerable, but worth looking forward to.” – Bob Chipman, Escapist

“The whole thing devolves into a military procedural that looks like ZERO DARK THIRTY’S unused b-roll.” – Kristofer Jenson, DIG Boston

 

MACHETEMACHETE KILLS

“The picture is repetitive to an almost Bunuellian extent.” – Jake Mulligan, EDGE

“The first movie felt like activism, this one feels like a regular action movie with a message. Just as much fun, not as much impact.” – Bob Chipman, Escapist

 

ROMEO & JULIETROMEOJULIET

“Aims for passion, but tumbles into corn… or rather, corn syrup.” – Kilian Melloy, EDGE

“It lumbers along in search of a reason to exist.” – Sean Burns, Metro

 

ESCAPE FROM TOMORROWESCAPE FROM TOMORROW

“Somehow, having Buzz Lightyear around just makes things even darker. The production itself was full-scale corporate espionage.” – Kristofer Jenson, DIG Boston

“An outrageous provocation with a renegade spirit that reminds you what a festival like Sundance is supposed to be about.” – Sean Burns, Philadelphia Weekly

“But like a roller coaster, a queasily rollicking and dizzyingly loopy climax — involving a kidnapped princess, a mind-reading robot, and a mysterious flu — ultimately makes the long wait worthwhile.” – Inkoo Kang, LA Times

 

A.C.O.D. (ADULT CHILDREN OF DIVORCE) A.C.O.D. (2013) trailer -- Pictured: Adam Scott (Screengrab)

“Zicherman has spent most of his career writing and producing; A.C.O.D. represents his first directing credit, and while he this attempt shouldn’t be his last, he could stand to do a little homework before his next foray into feature filmmaking.” – Andrew Crump, GoSeeTalk

BOFCA REVIEW ROUNDUP 10/4

gravityGRAVITY

“GRAVITY is the place to start loving, once again, both the spectacle and the chance for intelligent filmmaking.”-Kilian Melloy, Kal’s Movie Blog

“Few films manage to be this transporting, this thoughtful, this stunningly beautiful, and this flat-out daring all at the same time…”-Andrew Crump, Go-See-Talk

“The movie impresses us with the vastness and cold emptiness of space as few films have since 2001: A SPACE ODYSSEY.”- Daniel Kimmel, Northshore Movies

“GRAVITY is a pretty shrewd customer. It gives astronauts Stone (Sandra Bullock) and Kowalsky (George Clooney) disaster after disaster, and each one is worse than the disaster that came before it.”- David Riedel, Santa Fe Reporter

“Cuaron has fashioned a transcendent cinematic fable, leading us through a universe of pain, fear, wonder, sorrow, elation, and serendipity, all of it redeemed by gravity– and the pull of life.”- Joyce Kulhawik, Joyce’s Choices

parklandPARKLAND

“At some point, it becomes prudent to wonder why Landesman didn’t just settle on telling a single yarn.”-Andrew Crump, Go-See-Talk

BOFCA REVIEW ROUNDUP 9/27

RUSHRUSH

“Maybe director Ron Howard and screenwriter Peter Morgan thought the literally death defying driving wasn’t enough on its own. Or maybe they saw DAYS OF THUNDER and thought, ‘Man we can do this much, much better, and with real people.’” – David Riedel, Santa Fe Reporter

“For all intents and purposes, a philosophical argument takes place at 140 mph.” – Sean Burns, Improper Bostonian

“What ultimate lesson might be learned from the story is hinted at in the movie, but Howard is too accomplished a filmmaker to hand us a pat moral. He leaves it to us to decide what it all means.” – Dan Kimmel, North Shore Movies

“Ron Howard might be the most big-earning, blockbuster-producing, award-winning Hollywood filmmaker to still qualify as underrated.” – Bob Chipman, Escapist

 

CLOUDY2CLOUDY WITH A CHANCE OF MEATBALLS 2

“Undiscriminating youngsters may be diverted, but even grownups who were somehow charmed by the original movie will have a hard time swallowing this sorry stew.” – Dan Kimmel, NorthShoreMovies

“CLOUDY 2″ is a one-joke movie — it’s a joke that’s able to continually rephrase itself, but it’s still one-joke all the same.” – Jake Mulligan, EDGE

“It’s by no means bad – it’s funny, briskly-paced and visually beautiful – but it’s missing the extra wit and worldliness that elevated its predecessor.” – Bob Chipman, Escapist

 

DON JONDON JON

“A barn-door broad burlesque of Joisey stereotypes and holy-cannoli accents.” – Sean Burns, Philadelphia Weekly

“By treating Jon with sympathy but without sentimentality, Gordon-Levitt has given us a daring portrait of modern masculinity.” – Dan Kimmel, NorthShoreMovies

“What is new stems  from the vitality he lends to his production from behind the camera, something that his dabbling in short-form cinema can only hint at.” – Andrew Crump, Go-See-Talk

 

BAGGAGEBAGGAGE CLAIM

“It’s funny enough to earn a “worth watching” designation, but you can’t shake the feeling that a commercial break is going to interrupt any second.” – Jake Mulligan, EDGE

“Paying hypocritical lip service to progressive gender politics, BAGGAGE CLAIM turns out to be one of those movies where the woman gets to deliver a big speech about how she doesn’t need a man in order to define herself, while Mr. Wright is waiting in the wings all the same.” – Sean Burns, Metro

enough-saidENOUGH SAID

“Writer/Director Nicole Holofcener has turned an everyday situation into something singular, sweet, and smartly observed.”-Joyce Kulhawik, Joyce’s Choices

“It’s a shame there aren’t more movies like ENOUGH SAID. It’s a touching comedy with moments of drama about people who are actual adults—people with children and responsibilities and jobs—and not just assholes who work in graphic design”- David Riedel, Santa Fe Reporter

BOFCA REVIEW ROUNDUP 9/20

PRISONERSPRISONERS

“It’s really a tricky thriller, crossing its fingers and hoping you buy into the tricks. And too often confusing depravity for intensity.” – Norm Schrager, Meet-In-The-Lobby

“Surprise! Turns out the reason they were advertising this so much is the movie is really good!” – Bob Chipman, Escapist

“PRISONERS is cruel and unusual punishment.” – Dan Kimmel, North Shore Movies

“It pops like a kernel in a myriad ways–full of nooks and crannies, threatening & thrilling, sad & shocking, and just plain entertaining.” – Joyce Kulhawik, Joyce’s Choices

 

THANKS FOR SHARINGTHANKS FOR SHARING

“…a remarkably sensitive and surprisingly romantic ensemble drama about sex addiction.” – Inkoo Kang, Village Voice

 

 

A SINGLE SHOTSINGLE SHOT

“A SINGLE SHOT was filmed in the Vancouver mountains under the gray-skied chill of encroaching winter, yet for some reason the actors sport spotty Southern accents. Maybe that’s just how they think all poor people talk.” – Sean Burns, Metro

BOFCA REVIEW ROUNDUP 9/13

INSIDIOUS 2INSIDIOUS

“A downright devious understanding of what the audience’s relationship with modern horror iconography really is.” – Bob Chipman, Escapist

 

 

THE FAMILYTHE FAMILY

“A deliriously violent black comedy.” – Andrew Crump, Go-See-Talk

“Luc Besson has done the seemingly impossible. He’s resuscitated the corpse of Robert De Niro’s career.” – Daniel Kimmel, North Shore Movies

 

 

THINGS NEVER SAIDTHINGS NEVER SAID

“The remarkable performance from Shanola Hampton is the heart and soul of the movie…” – Monica Castillo, WBUR

 

 

 

DRINKING BUDDIESDRINKING BUDDIES

“The film is billed as a comedy, but it feels more like a drama with comic notes.” – Kilian Melloy, EDGE Boston