BOFCA REVIEW ROUND-UP: 09/25/2015

anne-hathaway-1024

THE INTERN

“THE INTERN is actually quite sweet, and if you are able somehow to get swept up in its sappiness you will like it.” – Deirdre Crimmins, Cinematic Essential

“All of the heartwarming and humorous aspects that make THE INTERN so entertaining though, are the same ones that distract you from issues with its core story.” – Evan Crean, Star Pulse

“Although there is only one screenwriting credit listed … you get the feeling watching it that the film was actually written, maybe crafted is a better word, by committee.” – John Black, Boston Event Guide

 

stonewall-4STONEWALL

“Describing STONEWALL as merely a crummy biopic would be like describing Pasolini’s SALO as a rom-com.” – Andy Crump, Paste Magazine

“The indictment of Emmerich’s approach is less that he’s opted to “print the legend” and more that he’s not printing the right legend.” – Bob Chipman, Movie Bob

 

977452_044THE GREEN INFERNO

“If you’re one of those people who thinks they can handle this type of stuff, THE GREEN INFERNO is a flick that you should surely check out.” – Jaskee Hickman, Cinematic Essential

 

 

6053581_review-a-brilliant-young-mind-starring_af0e7701_mA BRILLIANT YOUNG MIND

“…a mélange of familiar tropes and character types that feel as carefully calibrated as a page of equations.” – Kilian Melloy, Edge Boston

 

 

Pawn01PAWN SACRIFICE

“PAWN SACRIFICE is a solid feature that doesn’t have the quality necessary to make it stand out and grab the attention of the public.” – Jaskee Hickman, Cinematic Essential

 

 

goodnight_mommy_photoGOODNIGHT MOMMY

“This is a rare feature that has a unique style even though the premise has been done before in a couple of other movies over the years.” – Jaskee Hickman, Cinematic Essential

 

 

 

 

 

BOFCA REVIEW ROUND-UP: 09/11/2015


visit-trailerTHE VISIT

“THE VISIT is sheer guilty pleasure, and in the post summer blockbuster calm leading into the awards season storm, sometimes a little shameful indulgence is all we really need.” – Greg Vellante, Sound and Picture

THE VISIT is a poorly structured movie that doesn’t have any positive qualities.” – Jaskee Hickman, Cinematic Essential

“You will see opportunities for the story to progress into much more bizarre fare, but Shyamalan reins it in for a much easier conclusion. Shame, really.” – Sam Cohen, Under the Gun Review

“It lacks the flashiness and giant twists Shyamalan is known for, and this is a big plus for the film.” – Deirdre Crimmins, All Things Horror

 

7-chinese-brothers-jason-schwartzman7 CHINESE BROTHERS

“Byington’s movie is mopey but frothy, and it weighs about as much as a bag of Popchips.” – Andy Crump, Paste Magazine

“I’m sure many who’ve tired of seeing lonesome semi-hip do-nothings onscreen may have thin patience with 7 CHINESE BROTHERS. But if the category still grabs your attention, Schwartzman and cast – plus dog – will really do a fine job holding it for 75 minutes.” – Norm Schrager, Film Racket

 

BOFCA REVIEW ROUND-UP: 08/28/2015

WE-ARE-YOUR-FRIENDS-8

WE ARE YOUR FRIENDS

WE ARE YOUR FRIENDS could have benefited from focusing on the relationships at play as well as actually attempting to create some type of friction throughout the film.” – Jaskee Hickman, Cinematic Essential

“Like the keystrokes of an electronic musician filled with self-importance and naivety, WE ARE YOUR FRIENDS is a track sampled from so many other artists it ends up being a complete tonal misfire.” – Sam Cohen, Under the Gun Review

 

downloadNO ESCAPE

“There’s something begrudgingly spectacular about the film’s commitment to nastiness. It’s mean, ugly button-pushing all-around – not even bothering to invent a fictional country nor to give any reason for the coup.” – Sean Burns, Spliced Personality

“In the end, NO ESCAPE fails because the people behind it don’t know how to make a film that can captivate an audience.” – Jaskee Hickman, Cinematic Essential

“American Nuclear Family Exceptionalism is the fantasy on offer here, and everything else — thin plotting and cardboard characters included — function only in support of that wishful thinking.” – Kilian Melloy, Edge Boston

 

diggingforfire-still2-kentosborne-samrockwell-jakejohnson-mikebirbiglia-stevebergDIGGING FOR FIRE

“…DIGGING FOR FIRE is so vapid I can only feel pity for the people who find it interesting.” – David Riedel, Santa Fe Reporter

“…the beats here aren’t written, they’re riffed.” – Jake Mulligan, Dig Boston

“DIGGING FOR FIRE is the kind of film where nobody learns anything, and where that lack of learning is supposed to feel conclusive.” – Andy Crump, Movie Mezzanine

 

LTD_03.jpgLEARNING TO DRIVE

“The film focuses on the dramatic content of everyday situations…” – Kilian Melloy, Edge Boston

“LEARNING TO DRIVE fails to realize what the more meaningful story is within the film.” – Deirdre Crimmins, Cinematic Essential

 

z-for-zachariahZ FOR ZACHARIAH

“This is the sort of fiction that makes you look at real life through a slightly different filter: One that shows the beast lurking just under civility’s placid surface.” – Kilian Melloy, Edge Boston

 

 

 

 

BOFCA REVIEW ROUND-UP: 08/14/2015


THE MAN FROM U.N.C.L.E.Jv7V5

“The audience needs no prior knowledge of the original television show to enjoy Ritchie’s snippy and engaging spy flick.” – Deirdre Crimmins, Cinematic Essential

“[They] got it exactly right, introducing the characters to moviegoers who may have never heard of them while not insulting the memories of those who have.” – Daniel M. Kimmel, North Shore Movies

“The film stars Henry Cavill and Armie Hammer  as Napoleon Solo and Illya Kuryakin, two slick superspies who have reduced the Cold War to a manhood measuring contest…” – John Black, Boston Event Guide

“Like the TV series, the tone is light but never entirely loses a sense of deadly seriousness.” – Tim Estiloz, El Mundo Boston

“Bickering about fashion in between slinky car chases and riotously funny spying maneuvers, Cavill and Hammer may actually have more chemistry with each other than anyone else.” – Joyce Kulhawik, Joyce’s Choices

 

straight-outta-compton-trailer1STRAIGHT OUTTA COMPTON

“The movie is a straightforward biopic, full of dramatic confrontations, off-the-rails scenarios and takes certain artistic license to follow [N.W.A.] through their different careers.” – Monica Castillo, International Business Times

“It’s an epic, all right, but one that’s not nearly as cohesive as the album it’s named after.” – Jake Mulligan, Edge Boston

“…when STRAIGHT OUTTA COMPTON the movie revolves around the conception and birth of STRAIGHT OUTTA COMPTON the album, it benefits enormously from the reduction in scope.” – Andy Crump, Paste Magazine

“…STRAIGHT OUTTA COMPTON is a cinematic success.” – Jaskee Hickman, Cinematic Essential

“The film is enormous fun to watch – full of electrifying numbers and gigantic, bold-stroke storytelling, teetering on melodrama and providing all the soapy satisfactions one could possibly ask for from an unabashedly old-fashioned MGM picture.” – Sean Burns, Spliced Personality

 

copcarCOP CAR

“…the kind of film that changes gears in the last act; perfectly capturing the adventurous nature of childhood in the beginning and then diverging into a generically consequential thriller in the end.” – Sam Cohen, Under the Gun Review

“…the movie, like the car itself, kind of just idles on the side of the road for the remainder of the running time.” – Sean Burns, Movie Mezzanine

“It doesn’t matter if the shot misses its mark by a bit. You still didn’t see it coming.” – Jake Mulligan, Dig Boston

 

1638832 001LISTEN TO ME MARLON

“…the film stands as a worthy tribute to a monumental talent, reminding us how much we had, how much was squandered, and how much was lost.” – Sean Burns, Movie Mezzanine

 

WILLIAM BUCKLEY;GORE VIDALBEST OF ENEMIES

“…the film endorses neither poor sportsmanship nor celebrity opprobrium. In its fashion, it’s actually tragic.” – Andy Crump, Paste Magazine

“Kind of a missed opportunity, really, but it’s hard to assign demerits because it’s so fun to watch.” – David Riedel, Santa Fe Reporter

BOFCA REVIEW ROUND-UP: 07/17/2015

Paul-Rudd-Ant-Man-MovieANT-MAN

“ANT-MAN will likely play just as well on the small screen–so to speak–but for those needing their Marvel fix between THE AVENGERS: AGE OF ULTRON and the reboot of THE FANTASTIC FOUR, it will do.” – Daniel M. Kimmel, North Shore Movies

“You know, for kids.” – Sean Burns, Spliced Personality

“ANT-MAN is ultimately underwhelming even if it’s not necessarily exactly unpleasant.” – Jaskee Hickman, Cinematic Essential

“Like many latter-day Marvel flicks, this one is steeped in plot, but screenwriters Adam McKay and Rudd keep the jokes flying whenever the franchise wheels start spinning.” – David Riedel, Santa Fe Reporter

 

trainwreck-judd-apatow-amy-schumerTRAINWRECK

“Schumer’s confidence in this movie and her stand-up is infectious.” – Monica Castillo, International Business Times

“…if  Amy Schumer making sex jokes could be inserted into every run-of-the-mill comedy today, that’d be great.” – Sam Cohen, Under the Gun Review

“The results are standardized to the point of frustration, but don’t take this as a sign you shouldn’t see TRAINWRECK; it’s often hysterical, it’s wonderfully acted, and if you like Schumer there’s no reason not to support her work.” – Andy Crump, Paste Magazine

“A romantic comedy that is as sweet as it is sidesplitting should not be so difficult to find. TRAINWRECK fits the bill, and does so with little effort and a lot of maturity.” – Deirdre Crimmins, Cinematic Essential

“As the leader of this talented circus, the blame for not getting enough actual laughs in the film falls squarely at Apatow’s feet.” – John Black, Boston Event Guide

 

tangerineTANGERINE

“…Baker isn’t rejecting that Hollywood tradition—he’s reclaiming it.” – Jake Mulligan, Dig Boston

“…a lewd, madcap romp tempered with unexpected moments of sweetness and grace.” – Sean Burns, The ARTery

“Baker treats L.A. like a living, breathing character as much as a backdrop for his study of the sex work industry, told from ground-level perspectives.” – Andy Crump, Paste Magazine

 

 

mr-holmes-ian-mckellen-860x442MR. HOLMES

MR. HOLMES only has one significant issue that prevents it from being an entertaining drama about the legendary investigator in his later years.” – Jaskee Hickman, Cinematic Essential

“The films works well enough as a drama, in large part because it downplays the mythology of Sherlock Holmes and approaches the character as a real person struggling to shed the outlandish image with which he’s been burdened by fictionalized accounts of the cases he’s solved.” – Kilian Melloy, Edge Boston