SONG SUNG BLUE
“Jackman proved his musical chops with Les Miserables and The Greatest Showman, and now he shows himself a powerhouse performer of pop as well.” – Killian Melloy, Cinesaurus Rex
THE PLAGUE
“With his debut feature The Plague, writer-director Charlie Polinger demonstrates that he is adept at describing the signs and symptoms of adolescent awkwardness and the bullying it draws.” – Killian Melloy, Cinesaurus Rex
MARTY SUPREME
“Look for Timothée Chalamet to bask in some serious awards buzz for his starring role in Josh Safdie’s Marty Supreme, a nervy, screwball-ish paean to the American conviction that talent, drive, and a soupcon of brashness must comprise a recipe for success.” – Killian Melloy, Cinesaurus Rex
THE TESTAMENT OF ANN LEE
“As noble failures go, The Testament of Ann Lee is one of the most intriguing of 2025. It’s compelling to watch… but its spirit remains elusive.” – Killian Melloy, Cinesaurus Rex
“Rian Johnson sets about spinning the kind of hall-of-mirrors narrative that made the first two Knives Out movies so much fun.” 
“It’s ironically apt that the viewer may, to some degree, experience a version of what the frustrated Santiago suffers: This is a film that’s strangely, stubbornly hard to connect with emotionally.” 
“Why spend a thousand nights fending off the patriarchy when an hour and a half will do?”
“Merrily We Roll Along may seem like a cynical exercise about people who have messed up their lives, but it’s really about bad choices having consequences, and hoping not to lose the optimism of one’s youth.” 
“The film builds to an anguished climax, and is then capped by an exhilarating final scene linking all the film’s narrative strands, culminating in an epiphany as we hear Hamlet’s famous soliloquy as if for the first time.” 
“One of the best opening scenes ever–an actress in the throes of stage fright on opening night! The scene foreshadows what’s at stake in the film: the visceral connection between real life and life on stage.” 
“A metaphor for the way grief growls from the shadows and strikes out of the blue that might not work for everyone.” 
“Lightening the mood of suspense are moments of pure black comedy and a love of cinema.” 
“Eternity may be the best afterlife movie since ‘Defending Your Life’ (1991). You’ll get caught up in both the romcom and ‘what if’ elements and it will leave you thinking what you might do.” 
“Wicked: For Good joins its predecessor in jointly creating one of the best movie musicals in years.” 
“The makers of The Dummy Detective are asking a lot. It’s a comedy that crosses a hardboiled film noir detective story with an Agatha Christie-like mystery. And ventriloquist dummies. You either have to accept it or not.”