FRENCH GIRL
“French Girl is a serviceable romantic comedy that could have been better, with a solid cast that makes the most of its benefits and does its best with its deficits.” – Daniel M. Kimmel, North Shore Movies
ONE LIFE
“Some may find the film overly sentimental, but it earns those emotions honestly. It’s hard not to be moved to tears at the moment when the elder Winton is confronted with the enormity of what he accomplished.” – Daniel M. Kimmel, North Shore Movies
UPROAR
“From the outset, Uproar, directed by Paul Middleditch and Hamish Bennett, captured my imagination and stole my heart. While it certainly has much to say about the characters’ time, place, and culture, Uproar does it with a universal voice.” – John Black, Cinekong
ESCAPE
“Yes, there are women in bikinis who get kidnapped by a ruthless (and creepy) gang of criminals, and some of them fire guns before the film ends. But thanks to writer/director Howard J. Ford, Escape is nothing cheap or salacious; it’s all about empowerment—and bloody, well-deserved revenge.“ – John Black, Cinekong
“What’s not to love about a musical that draws all its songs (and a fair amount of its dialogue) from the Indigo Girls’ body of work, gives us Ming-Na Wen in an eyepatch, and sprinkles in a bunch of fun cameos?” – 
“Now is precisely the right time for a movie about the patron saint of immigrants, who demanded that such people be treated with dignity and respect for their humanity.” 
“This was an earnest love letter to generations of fans.” 
“I trust the future of this universe is in good hands.” 
“In the end, this is how people get on with their lives even after events over which they have no control.” 
“A psychological and emotional thriller of sorts, Lie with Me puts its characters (and its audience) through a wringer and keeps us guessing from scene to scene.” – 
“There’s nothing inherently wrong with mixing a polemic with horrific elements. Yet by turning this into a haunted house story, the film’s message becomes muddled if not going entirely off-track.”
“There’s a big twist to the story, which ruins everything. It’s not just that the twist comes out of nowhere; it adds nothing but the twist to a story that was doing fine without it.
“The point of the film isn’t to disparage Christianity. Quite the contrary. Through news footage and interviews with prominent Christians, he demonstrates that those professing Christian nationalism are more interested in political power than in the teachings of Jesus.”