“The bottom line is that IT is one of the better Stephen King film adaptations, but falls short of the pantheon…” – Daniel M. Kimmel, North Shore Movies

“In spite of the monster living behind all of the make-up in this movie not being able to keep up with the previous interpretation, I left the screening satisfied with IT as a total body of work.” – Jaskee Hickman, Cinematic Essential

“IT feels a bit like a carnival ride; perhaps one you’ve been on a few times, but one that’s still thrilling enough to give you a good jolt.” – Charlie Nash, Film Thrills

“At its best IT feels like an R-rated version of THE GOONIES, if THE GOONIES wasn’t one of the worst movies ever made.” – Sean Burns, Spliced Personality




“Few films are as attentive to the spaces inhabited by their characters as COLUMBUS, a meticulously assured debut from one-named-wonder Kogonada.” – Sean Burns, The ARTery

“COLUMBUS is one of the year’s best films, a rare gem that deserves to be sought out in what will likely be a limited marketplace for theatrical distribution.” – Greg Vellante, Edge Boston

“While you may admire the scenery and learn a bit about COLUMBUS’ architectural history, it’s the superb, understated performances that make the movie’s minimalist plot work.” – Brett Michel, The Improper Bostonian

“Kogonada’s spaces are richly conceived, but they’ve yet to find the room needed to emphasize the rich performances within them.” – Jake Mulligan, Dig Boston

“COLUMBUS is a precious kind of contradiction: both an unabashed mystery and a work completely expected of its author.” – Andy Crump, Paste Magazine




“…a promising debut for Myers-Shyer, who might want to take on a collaborator for her next script, but has some warm and comic things to say about adults trying to make sense of their lives.” – Daniel M. Kimmel, North Shore Movies

“HOME AGAIN strives to be in the same league as mom’s SOMETHING’S GOTTA GIVE, IT’S COMPLICATED, or THE INTERN – but it lacks a certain specificity in the screenplay department.” – Sean Burns, Spliced Personality



17417-1-1100BEACH RATS

“We are BEACH RATS’ captive audience. If the film is tender, it’s merciless at the same time.” – Andy Crump, The Playlist

“[Eliza] Hittman’s superlatively subjective camera sexualizes all in its path, damp with a New York summer’s cruel humidity and a hazy, exhausted torpor.” – Sean Burns, Boston Reel





Spoilerpiece Theatre talks DETROIT, SHINING THROUGH and THOR

Greg Vellante reviews COLUMBUS

Nick Casaletto reviews TWIN PEAKS

Bob Chipman talks Andy Serkis’ Oscar chances

Andy Hoglunds looks back on the real story behind DETROIT,