Kilian Melloy reviews FOR ALL MANKIND Season 2.
Spoilerpiece Theatre reviews MINARI, SHOOK, SATOR, and FRAMING BRITNEY SPEARS.
Randy Steinberg reviews RED DOT.
Kilian Melloy reviews FOR ALL MANKIND Season 2.
Spoilerpiece Theatre reviews MINARI, SHOOK, SATOR, and FRAMING BRITNEY SPEARS.
Randy Steinberg reviews RED DOT.
Blithe Spirit
“You won’t take any of this seriously, nor are you asked to. Instead, you can simply enjoy the period costumes, sumptuous sets, and an attractive cast having a bit of fun.” – Daniel M. Kimmel, North Shore Movies
SIN
“Director Andrey Konchalovskiy uses period authenticity to bolster the film’s psychological elements, which sometimes take the form of overwhelming religious superstition and guilt-ridden paranoia.” – Kilian Melloy, EDGE Media Network
SILK ROAD
“Writer/director Tiller Russell seems to be working at cross purposes throughout the film, leaving unfocused what should have been a straight-ahead crime story.” – Daniel M. Kimmel, North Shore Movies
Daniel M. Kimmel reviews SUPERNOVA and THE WAKE OF LIGHT.
Spoilerpiece Theatre reviews SAINT MAUD, THE WANTING MARE, MALCOLM & MARIE, and A NIGHTMARE WAKES.
Robyn Bahr reflects on the feminist legacy of Joss Whedon’s television shows.
HAPPY TIMES
“It makes KNIVES OUT look like a walk in the park.” – Daniel M. Kimmel, North Shore Movies
I BLAME SOCIETY
“…the supposed comedy comes from her reactions to her crime spree. This was apparently intended to be witty and subversive, but ends up filling you with revulsion.” – Daniel M. Kimmel, North Shore Movies
LAPSIS
“Superficially a work of near-future science fiction, LAPSIS is actually a thoroughgoing and deep-reaching satire.” – Kilian Melloy, EDGE Media Network
THE MAP OF TINY PERFECT THINGS
“THE MAP OF TINY PERFECT THINGS makes good use of a well-worn plot device without making you feel you’ve already seen this story multiple times.” – Daniel M. Kimmel, North Shore Movies
THERE IS NO I IN THREESOME
“What seems like a road leading to a foregone destination suddenly becomes a much more challenging route through questions of love, romance, autobiographical art, and the documentary genre itself.” – Kilian Melloy, EDGE Media Network
WORKHORSE QUEEN
“Washko’s portrait of the drag performance ecosystem that exists at the edges of fame is funny and heartbreaking, but it also brims with compassion and creative excitement.” – Kilian Melloy, EDGE Media Network
Joyce Kulhawik reviews REUNION, BLISS, and THE LITTLE THINGS.
Spoilerpiece Theatre covers The 2021 Sundance Film Festival.
Robyn Bahr writes about Amy Ziering’s documentary ON THE RECORD for Amherst Magazine.