BLONDE
“BLONDE is a means to an end, a vessel to tell the tale of a life doomed, perhaps, from its beginning. Marilyn Monroe is the vehicle because she is instantly recognizable, as well as irresistible, but the concept of an identity crisis is something anyone can understand (and probably has undergone), so the larger dramatic purpose makes the film relatable to anyone.” – Randy Steinberg, Blast Magazine
Randy Steinberg reflects on BETTER CALL SAUL as a series
Spoilerpiece Theatre reviews FALL, EMERGENCY DELCARATION, and LUCK
Sam Cohen writes about the Blu-ray release of Bobby Roth’s HEARTBREAKERS for High-Def Digest
BLISS
“The drama here comes from the question of whether these two souls — one older than her years, the other weary before her time — will find a way to meet, and stick, in the middle.” – Kilian Melloy, EDGE Media Network
HYPOCHONDRIAC
“Heimann crafts a tidy little thriller that works all the better for including a realistic same-sex relationship, though one can’t help wishing he’d done more with the real-life horrors around the health disparities LGBTQ+ people encounter
from a too-often biased health care system.”
– Kilian Melloy, EDGE Media Network
PREY
“At the film’s heart is the same bag of tricks we’ve seen in previous installments of the franchise. But the movie also confounds typical tropes, and (mostly) insists on earning its departures.” – Kilian Melloy, EDGE Media Network
Kilian Melloy interviews Megan Sandberg-Zakian about putting on a queer adaptation of “Much Ado About Nothing” as part of Free Shakespeare on the Common
Allyson Johnson writes about Charlie Puth and Jungkook’s collaboration “Left and Right”
Spoilerpiece Theatre reviews WILDHOOD and MAD GOD