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“There’s no sense of direction here—as though Howard couldn’t figure out which movie he wanted to make, so he decided to make them all.” – Andy Crump, Paste Magazine

“We get it, the pen is mightier than the harpoon.” – Sam Cohen, Under the Gun Review

“It’s possible that IN THE HEART OF THE SEA will find lasting acclaim rather than fading pretty promptly into obscurity, but I’d wager neither hardtack nor a day’s rum on it.” – Kilian Melloy, Edge Boston

“Not only does this film’s “demon” look like the digital creation it is, but almost everything on land and sea looks like it was shot against a blue screen nearly 60 years ago.” – Brett Michel, The Improper Bostonian

“IN THE HEART OF THE SEA is so full of unnecessary and unconvincing green-screen work I wouldn’t be surprised if most of the actors shot their scenes on a soundstage in Burbank.” – Sean Burns, Movie Mezzanine


“Much as THE GREAT BEAUTY positioned itself as a sorta-sequel to LA DOLCE VITA, for YOUTH Sorrentino borrows the setting from Fellini’s 8½ and shares The Maestro’s penchant for grotesques.” – Sean Burns, The Artery

“YOUTH is a free form, plotless effort, much like Sorrentino’s 2013 Best Foreign Language Film winner THE GREAT BEAUTY. But that film had fire where YOUTH has coals.” – Andy Crump, Birth.Movies.Death.

“…a complicated, messy affair at times, but there’s always beauty to be found.” – Greg Vellante, Sound & Picture

Francois Truffaut and Alfred HitchcockHITCHCOCK/TRUFFAUT

“Directed and co-written by Kent Jones this documentary explores one of the most illuminating conversations in the history of film.” – Joyce Kulhawik, Joyce’s Choices