Tim Estiloz interviews Morgan Freeman

Andy Hoglung looks at Saturday Night Live Oscar connections and the pre-Super Bowl world of TV

Monica Castillo joins Flixwise to talk PIERROT LE FOU.

Kilian Melloy reviews a James Garner western double feature and Blu-rays for WHERE THE SIDEWALK ENDS and SPOTLIGHT

Joyce Kulhawik looks at Sexy Silents

Kristofer Jenson interviews the director and star of THE WITCH

Sean Burns talks Sylvester Stallone’s Oscar nomination

Andrew Crump interviews the director and star of THE WITCH and talks the reality behind the film, looks back at BOTTLE ROCKET


I’ve seen Wes Anderson’s first film, BOTTLE ROCKET, more times than I can count. Like his other films co-written with Owen Wilson, RUSHMORE and THE ROYAL TENENBAUMS, it has a whimsical screwball energy throughout that I find irresistible. Yes, it may lack the dollhouse feeling with which he’s come to be so known (though certainly, his OCD and his symmetry fetish are here in full effect) but it has the same earnest innocence, the same respect for its characters, and the same underlying feeling of melancholy that make his best works so unique. And of course, his ear for music is as eclectic as ever, employing a beautiful score from Mark Mothersbaugh, his signature Stones needle-drops, and even the theme from the 1970s spaghetti western take on “Zorro”.

Brothers Luke and Owen Wilson play two of three twenty-somethings – who Anderson has, in a conceit that plays far better than it sounds, behave like they’re 8-years old – on a largely imagined crime spree, planning and pulling off their own high-concept heists. Though that’s likely overstating the case – the film plays more like “Charlie Brown” than BONNIE AND CLYDE. This movie must have hit people like a bullet upon release in 1996. The American independent scene was run amuck with Tarantino fever; and Anderson’s lightly melancholic tale seems to almost satirize the overwrought ‘crime spree on the run’ genre. While all those movies had their eyes on the bullets, the gunfights, and the pop culture nods; Anderson turns his towards nothing less than his characters souls.

A tribute to the innocence of boyhood, that singular stage-of-life when you’re equally excited by crime sprees, sketching flip-books, and playing with fireworks, BOTTLE ROCKET is a beautifully composed, enigmatic film that easily transcends the coming-of-age and crime genres it plays around in. And paired with Wes Anderson’s latest film, MOONRISE KINGDOM, at The Brattle Theatre no less, it’s a deal you can’t turn down. – Jake Mulligan

Check back tomorrow morning for our weekly Review Roundup!

BOTTLE ROCKET shows Thursday, 5/31 at 5:30. MOONRISE KINGDOM plays at 8:00 in a free preview screening open to the public, co-presented by the Independent Film Festival Boston. Doors open at 7:00, and it is first-come, first-serve. The Brattle Theatre, 40 Brattle Street, Cambridge MA, 02138.