THE JUDGE
“As much as the film relies on the Hank/Downey charm, it retains a skepticism of its best asset, especially when it comes to women.” – Inkoo Kang, The Wrap
“If the Oscars were a third grade social studies class, The Judge would be the kid who always raises his hand fastest but consistently gets the answer wrong.” – Kristofer Jenson, Dig Boston
“Surrounded by a top-notch supporting cast, this is an acting duel between Robert Downey, Jr. and Robert Duvall. The result is a draw, which is another way of saying that the audience wins.” – Daniel M. Kimmel, North Shore Movies
“The Daddy Issues run thick in this movie; none of the boys ever mention Mom again after she’s planted in the ground. They spend the evening of her funeral doing shots at the local bar and telling stories about their father — who apparently makes even his children address him as ‘The Judge.'” – Sean Burns, Spliced Personality
“Perhaps Downey the producer should have fired the editor, or at least let one of the other producers or director David Dobkin trim things a little.” – David Riedel, Santa Fe Reporter
“THE JUDGE is an okay movie that does some things well enough for me not to say that it’s average or below.” – Jaskee Hickman, The Movie Picture Show
ALEXANDER AND THE TERRIBLE, HORRIBLE, NO GOOD, VERY BAD DAY
“There are some solid laughs, a dearth of fart jokes, and Carell and Garner have enough energy to make everything passable, if not great. Again, ALEXANDER could be better, but it could also be a hell of a lot worse.” – David Riedel, Santa Fe Reporter
“This isn’t the sort of movie that really demands devoted scrutiny or requires any heavy lifting from critics or audiences; it’s there, and if you’re a ten-year-old (particularly if you’re a younger or middle child), the film’s combination of pee jokes, physical gags and parental comeuppance will probably steamroll you.” – Andy Crump, Paste Magazine
“For someone who is, say, nine or ten, this should be hilarious.” – Daniel M. Kimmel, North Shore Movies
DRACULA UNTOLD
“…it suffers from the problems of all reboots that start with an origin story: since we know where it’s going, there’s got to be a lot of stuff to grab our attention. ” – Daniel M. Kimmel, North Shore Movies
“Like all big movies these days, DRACULA UNTOLD is set up to spawn sequels.” – Kilian Melloy, Edge Boston
“It’s a PG-13 vampire movie. How good can it be?” – John Black, Boston Event Guide
KILL THE MESSENGER
“KILL THE MESSENGER is a film that has the potential to move you in a multitude of ways as a viewer looking for amature film with something to say.” – Jaskee Hickman, The Movie Picture Show
“This is pungent stuff, but a similar case was portrayed far more vividly in Michael Mann’s THE INSIDER – a movie that Cuesta and company obviously watched more than once in their preparations.” – Sean Burns, North Shore Movies
THE OVERNIGHTERS
“…so sketchy is the material as it’s presented here that finally it’s hard to know whether Pastor Reinke is a modern saint throwing himself mightily against apathy and social neglectfulness, or a whack job in his own right…” – Kilian Melloy, Edge Boston
ART AND CRAFT
“We just don’t learn how Landis creates his meticulous forgeries – although watching the process will leave you gobsmacked – but we spend a lot of time getting to know the man and the reasons he does what he does.” – John Black, Boston Event Guide