While you can usually find us holed up in the trenches of the press row, we do like to come out and support the local film scene here in Boston. In a joint effort with the Boston Society of Film Critics, we will help introduce a number of the films in The Brattle Theatre’s (Some of) The Best of 2012 series. Check out what you might have missed last year or come again for a favorite. You’re also more than welcome to come and say hello.

These are the confirmed screenings with introductions by BOFCA members:

Fri, Feb 1              BEASTS OF THE SOUTHERN WILD at 7:30 pm by Greg Vellante

Fri, Feb 1              MOONRISE KINGDOM at 9:30 pm by Greg Vellante

Sat, Feb 2            THE AVENGERS at 6:30 pm by Bob Chipman

Sat, Feb 2            THE DARK KNIGHT RISES at 9:15 pm by Dan Kimmel

Sun, Feb 3           WAKE IN FRIGHT at 7:00 pm by Brett Michel

Sun, Feb 3           DAISIES at 9:30 pm by Brett Michel

Mon, Feb 4           THIS IS NOT A FILM at 7:30 pm by Norm Schrager

Mon, Feb 4           AI WEIWEI: NEVER SORRY at 9:15 pm by Monica Castillo

Wed, Feb 6          THE DAY HE ARRIVES at 7:15 pm by Brett Michel

Wed, Feb 6          OSLO, AUGUST 31st at  9:00 pm by Brett Michel

Thu, Feb 7            LOOPER  at 7:00 pm by Evan Crean

Fri, Feb 8              THE RAID: REDEMPTION at 9:30 pm by Steve Head & John Black

Sat, Feb 9            HOLY MOTORS at 7:30 pm by Monica Castillo

Sat, Feb 9            COSMOPOLIS at 9:45 pm by Sean Burns

The full schedule of the (Some of) The Best of 2012 series can be found on the Brattle’s site. You can purchase tickets in advance on their website or help support their Kickstarter to help buy digital equipment for the theater. Hope to see you out there supporting independent cinema!

-Monica Castillo



“A devastating film. Anders moves through the picture like a ghost, while Danielsen Lie’s performance grows increasingly closed off and enigmatic.” – Sean Burns, The Improper Bostonian

“The movie captures moments of lyrical beauty. As the final shots mirror the first, you reflect on how life goes on, with and without us.” – Brett Michel, The Boston Phoenix

“You leave the film overwhelmed by the skill behind its craft and simultaneously demolished by its stark, compassionate, yet ultimately hopeless vision of the struggle against the darkness within.” – Jake Mulligan, The Suffolk Voice


“A strong cast and a fresh spin on the gangster film help overcome a script that occasionally lapses into cliché.” – Daniel M. Kimmel,


“One of those curious misfires in which a lot of talented people are nowhere near their comfort zones. And I still couldn’t understand a word Tom Hardy said.” – Sean Burns, Philadelphia Weekly

“What should be a classic modern-western gets derailed by schizophrenic direction in John Hillcoat’s hilariously uneven depiction of a lawless world.” – Jake Mulligan, EDGE Boston

“Pearce’s role is a perfect example of the over-the-top theatrical performance that Awards Voters love, because Awards Voters are usually stupid.” – Greg Vellante, The Eagle Tribune

“It’s curious, but we now seem to find ourselves waxing nostalgic about times when the people in power were merely corrupt. Nowadays, they’re practically cannibalistic.” – Kilian Melloy, Kal’s Movie Blog

“LAWLESS is not going to win any prize for breaking the story mold, but that’s okay because it revisits this well-trod ground enthusiastically.” – Bob Chipman, The Escapist



“Other than Kevin Smith, is there anyone more toxic to a film than Nia Vardalos? Well, get ready, because first-time feature director Jamie Travis has them both.” – Brett Michel, The Boston Phoenix

“A movie so unfunny it makes SCHINDLER’S LIST look like SUPERBAD. The characters swear and talk about sex like young kids who just discovered both things exist.” – Greg Vellante, The Eagle Tribune

“It constantly ducks away from any semblance of adult sexuality, while director Travis indulges in garish colors and giggle fits.” – Sean Burns, Philadelphia Weekly 



“As far as cheap knock-offs go, it’s a fairly flattering imitation.” – Brett Michel, The Boston Phoenix




“But you don’t need to spend $11.75 to see an infomercial. It’s under-thought, overdone, and presented without the slightest hint of visual panache. It’s repellent.” – Jake Mulligan, The Suffolk Voice

“And while the deadpan delivery of the series of unfortunate events is amusing, it can grow tiring. It’s also easy to feel frustrated with Mike’s character, as the leading man, he doesn’t quite mature from the start of the film.” – Monica Castillo, Paste Magazine

“Nobody bothered to outsize this interior monologue into an actual motion picture. So, from the get-go, it’s like we’re watching some overblown, under-photographed version of a story we’ve already heard.” – Sean Burns, Philadelphia Weekly