Spoilerpiece Theatre reviews HARRIET, MOTHERLESS BROOKLYN, and TERMINATOR: DARK FATE.
Robyn Bahr reviews THE LITTLE MERMAID: LIVE.
Bob Chipman reviews TERMINATOR: DARK FATE.
Spoilerpiece Theatre reviews HARRIET, MOTHERLESS BROOKLYN, and TERMINATOR: DARK FATE.
Robyn Bahr reviews THE LITTLE MERMAID: LIVE.
Bob Chipman reviews TERMINATOR: DARK FATE.
HARRIET
“This is a movie where a black heroine defies everyone who tells her she cannot succeed… and then proceeds to do just that.” – Daniel M. Kimmel, North Shore Movies
TERMINATOR: DARK FATE
“[It] delivers on its promise of mixing action, special effects, and character moments, and treating the series elders with respect and affection.” – Daniel M. Kimmel, North Shore Movies
MOTHERLESS BROOKLYN
“Norton shows himself to as impressive behind the camera as he often is in front of it.” – Daniel M. Kimmel, North Shore Movies
BLACK AND BLUE
“While providing plenty of action and suspense, it’s what this film says about race and policing that makes it stand out.” – Daniel M. Kimmel, North Shore Movies
COUNTDOWN
“It’s a cool idea. So what happened? How did an idea with such horror movie potential end up being such horror-free pablum?” – John Black, Gruesome Magazine
ZOMBIELAND: DOUBLE TAP
“It may not be THE GODFATHER, PART II, but on its own terms, it’s a worthy follow-up.” – Daniel M. Kimmel, North Shore Movies
“It’s not every day that a guy can say a zombie movie lifted their spirits, but I felt really good after leaving the theater and if you are a fan of the first ZOMBIELAND, you will too.” – Bryon McNeal, NerdCaliber
“Sure it’s chaotic and over-the-top, but that is just what it needs to be to bring this second chapter of the ZOMBIELAND saga to a satisfying close. And if the final scenes leave the door open for a third ZOMBIELAND film, so be it.” – John Black, Gruesome Magazine
PARASITE
“This is how movies should be made.” – Jaskee Hickman, Cinematic Essential
“You won’t see what’s coming, but when it does, you’ll realize the map that has led you there was embedded in every shot.” – Joyce Kulhawik, Joyce’s Choices
TELL ME WHO I AM
“Much of the horror spills out unbidden, and Alex puts many of the pieces together himself, but it’s only here — in this very film — that the brothers finally confront the past, and the truth, in all its brutality… and, in so doing, repair a two-decade rift.” – Kilian Melloy, EDGE Media Network
EL CAMINO: A BREAKING BAD MOVIE
“We didn’t need EL CAMINO, but at the end of the day, I’m glad we got it.” – Greg Vellante, EDGE Media Network
PUMPKINS
“If you were able to relax and enjoy the first half of PUMPKINS, the payoff of the second half is your reward. While it’s clear the film must have had budgetary constraints tighter than an Elizabethian corset, Metheringham and her cast and crew make up for it with lots of energy and shoestring cinematic ingenuity.” – John Black, Gruesome Magazine
GEMINI MAN
“GEMINI MAN is a weird movie that had the potential to be significantly better than it actually is.” – Jaskee Hickman, Cinematic Essential
3 FROM HELL
“Returning to the material which produced THE DEVIL’S REJECTS (2005), Rob Zombie resurrects his most cherished characters in 3 FROM HELL (2019)—and in reanimating them, undoes nearly everything the prior film accomplished. – Jake Mulligan, DigBoston