BOFCA REVIEW ROUNDUP: 7/6

THE AMAZING SPIDER-MAN

“A rancid, terrible, stiflingly inept, torturous-to-sit-through piece of shit.” – Bob Chipman, The Escapist

“They had a chance to make something new, something hip, something exciting with this. Instead they made a film we’ve already seen.” – Jake Mulligan, The Suffolk Voice

“For those who actually like getting involved with the characters, it’s an improvement.” – Daniel M. Kimmel, NorthShoreMovies.net

“This might be the most curiously under-populated New York City we have ever seen at the movies. $200 million can’t buy you any extras?” – Sean Burns, Philadelphia Weekly

“Cut from the same form-fitting cloth as any other superhero movie. This is no art house classic, though it’s certainly better than most movies of its genre.” – Kilian Melloy, EDGE Boston

“Taking for granted that the character’s popularity alone will pull in an audience, they turn in an uneven, often sub-par product with only glimmers of improvement here and there.” – Tim Estiloz, Boston Movie Examiner

“The reason this movie exists is because of Sony’s bottom line. Beyond that, what else does this add? Nothing.” – Steve Head, The Post-Movie Podcast

 

TO ROME WITH LOVE

MIDNIGHT IN PARIS was profound in a deceptively breezy way. TO ROME WITH LOVE is just plain breezy, but I didn’t mind.” – Sean Burns, The Improper Bostonian

“Woody Allen’s latest vacation may not be his worst film, but it’s his least inspired.” – Jake Mulligan, EDGE Boston

“The stories are entertaining but feel unfinished, as if we are watching Allen’s cinematic sketchbook instead of a finished film.” – John Black, Boston Event Guide

“I loved the comedic surrealism. I would go see it again in a second.” – Steve Head, The Post-Movie Podcast 

 

BEASTS OF THE SOUTHERN WILD

“Some moments seem derivative, or unnecessarily enigmatic, but the sheer exuberance of Zeitlin’s most stunning visuals suggests an artistic voice far too strong to write off.” – Jake Mulligan, The Boston Phoenix

“Here’s a movie that looks, feels and sounds so profoundly different from the vast majority of films that you occasionally want to pinch yourself.” – Bob Chipman, The Escapist

“A junkyard rhapsody that seems to be inventing its own cinematic language as it goes along.” – Sean Burns, Philadelphia Weekly

“One of the most striking, brilliant, poignant and beautifully crafted films I have witnessed within my lifetime. I imagine it will always hold a special place in my heart.” – Greg Vellante, The Eagle Tribune

 
 

SAVAGES

“So damn refreshing it makes you realize just what pale, pathetic junk we’ve been force fed so far this year.” – John Black, Boston Event Guide

“Stone may occasionally make you wince at the plot twists and the purple prose, but the film won’t leave you bored.” – Daniel M. Kimmel, NorthShoreMovies.net

“Travolta the ham, Benicio the cheese, with a hilarious edit by Stone that even holds the tomatoes. Literally.” – Norm Schrager, Paste Magazine

“It may not be perfect, but it’s the perfect anti-summer movie: violent, obliquely political and aimed at adults.” – Jake Mulligan, EDGE Boston

“I don’t know of too many surfer dudes who say: ‘We’re going to go all Sunni on their asses!’ But that’s the mark of a Stone film, I suppose.” – Monica Castillo, DigBoston

“Messy and electric, as deeply problematic as it is provocative. In other words, it’s an Oliver Stone movie.” – Sean Burns, Philadelphia Weekly 
 
 
 

NATURAL SELECTION

“Yes, it’s a road movie, and an unfortunate drama begging to be a comedy.” – Brett Michel, The Boston Phoenix

 

TAKE THIS WALTZ

“It makes you think about just how far good lighting, some risky dialogue and an ambiguous ending can go in covering up a been-there-done-that narrative.” – Jake Mulligan, The Suffolk Voice

 

 

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