Just in time for The Holidays, a big chunk of the Boston Online Film Critics Association sits down to hash-out the recent BOFCA Awards and Top Ten list:
Listen HERE.
Just in time for The Holidays, a big chunk of the Boston Online Film Critics Association sits down to hash-out the recent BOFCA Awards and Top Ten list:
Listen HERE.
THE 2013 BOSTON ONLINE FILM CRITICS ASSOCIATION AWARDS
BEST PICTURE: 12 YEARS A SLAVE
BEST DIRECTOR: Steve McQueen, 12 YEARS A SLAVE
BEST ACTOR: Chiwetel Ejiofor, 12 YEARS A SLAVE
BEST ACTRESS: Cate Blanchett, BLUE JASMINE
BEST SUPPORTING ACTOR: Jared Leto, DALLAS BUYERS CLUB
BEST SUPPORTING ACTRESS: Lupita Nyong’o, 12 YEARS A SLAVE
BEST SCREENPLAY: BEFORE MIDNIGHT
BEST FOREIGN LANGUAGE FILM: BLUE IS THE WARMEST COLOR
BEST DOCUMENTARY: THE ACT OF KILLING
BEST ANIMATED FILM: THE WIND RISES and FROZEN (tie)
BEST CINEMATOGRAPHY: INSIDE LLEWYN DAVIS
BEST EDITING: 12 YEARS A SLAVE
BEST ORIGINAL SCORE: 12 YEARS A SLAVE
BEST ENSEMBLE: 12 YEARS A SLAVE
THE TEN BEST FILMS OF THE YEAR:
1. 12 YEARS A SLAVE
2. INSIDE LLEWYN DAVIS
3. THE WOLF OF WALL STREET
4. GRAVITY
5. BEFORE MIDNIGHT
6. THE SPECTACULAR NOW
7. BLUE IS THE WARMEST COLOR
8. SPRING BREAKERS
9. THE WORLD’S END
10. FRUITVALE STATION
ENDER’S GAME
“Nothing here works. The action doesn’t live up to even the most middle-ground set pieces in this year’s slate of blockbusters; the storytelling and thematic ‘stuff’ of Card’s narrative hits with a resounding thud.” – Andrew Crump, Go-See-Talk
“One of the best book-to-screen transitions of any work of science fiction.” – Daniel Kimmel, North Shore Movies
“Reveal[s] what should be character-development and worldbuilding as just so much plowing through the Monomyth checklist en route to the big finish.” – Bob Chipman, Escapist
“To judge the film on its own merits is to find it a success, although it doesn’t escape the overall sense of the derivative and the formulaic that plagued the novel.” – Kilian Melloy, EDGE
LAST VEGAS
“It’s a victory lap for four actors too old, too successful, and too contented to worry about the fact that their work is devoid of entertainment value.” – Jake Mulligan, EDGE
“The difference between this and THE HANGOVER couldn’t be plainer: instead of watching a bunch of guys make fools of themselves and getting deeper and deeper into trouble, we’re cheering on guys still willing to take risks and finding they sometimes pay off in unexpected ways.” – Daniel Kimmel, North Shore Movies
BLUE IS THE WARMEST COLOR
“If a mature look at young, same-sex love in all its stages – from desire to disillusionment – isn’t your idea of an evening at the movies, then by all means, spend your entertainment dollars elsewhere, on something less ‘French.’” – Brett Michel, Patriot Ledger
“One of the most provocative and intriguing films of the fall.” – Bob Chipman, Escapist
“Given that BLUE IS THE WARMEST COLOR is a close-up examination of a life, it makes sense that the sex would be so explicit. Everything else is explicit, too.” – David Riedel, Raw Denim
“A 179-minute sprawl of heartbreak shot on a vast, wide-screen panorama that scarcely strays more than 6 inches from a young woman’s face.” – Sean Burns, Philadelphia City Paper
“I was amazed at the film’s intense focus, and the shock wave of feelings it conveyed around a person falling besottedly in love for the first time.” – Joyce Kulhawik, Joyce’s Choices
DIANA
“The film, finally, turns out to be not about Diana at all, but about how good men look with her as their arm candy — and how good they manage to keep on looking once she’s no longer by their sides.” – Kilian Melloy, EDGE
“We get it. It’s sad. She died.” – Sean Burns, Metro
FREE BIRDS
“An entertaining animated offering that is not only themed to Thanksgiving, but will especially appeal to vegans and vegetarians.” – Daniel Kimmel, North Shore Movies
ABOUT TIME
“The real lovers here are [director] Richard Curtis and the tricky notion of time travel. How else to punch up a story that’s all about the rich existential rewards we reap from living a boring, ordinary life?” – Andrew Crump, Go-See-Talk
“It’s a movie that makes one grateful for director Richard Curtis. Someone still knows how to make a great romantic comedy.” – Daniel Kimmel, Sci-Fi Hype