While you can usually find us holed up in the trenches of the press row, we do like to come out and support the local film scene here in Boston. In a joint effort with the Boston Society of Film Critics, we will help introduce a number of the films in The Brattle Theatre’s (Some of) The Best of 2012 series. Check out what you might have missed last year or come again for a favorite. You’re also more than welcome to come and say hello.

These are the confirmed screenings with introductions by BOFCA members:

Fri, Feb 1              BEASTS OF THE SOUTHERN WILD at 7:30 pm by Greg Vellante

Fri, Feb 1              MOONRISE KINGDOM at 9:30 pm by Greg Vellante

Sat, Feb 2            THE AVENGERS at 6:30 pm by Bob Chipman

Sat, Feb 2            THE DARK KNIGHT RISES at 9:15 pm by Dan Kimmel

Sun, Feb 3           WAKE IN FRIGHT at 7:00 pm by Brett Michel

Sun, Feb 3           DAISIES at 9:30 pm by Brett Michel

Mon, Feb 4           THIS IS NOT A FILM at 7:30 pm by Norm Schrager

Mon, Feb 4           AI WEIWEI: NEVER SORRY at 9:15 pm by Monica Castillo

Wed, Feb 6          THE DAY HE ARRIVES at 7:15 pm by Brett Michel

Wed, Feb 6          OSLO, AUGUST 31st at  9:00 pm by Brett Michel

Thu, Feb 7            LOOPER  at 7:00 pm by Evan Crean

Fri, Feb 8              THE RAID: REDEMPTION at 9:30 pm by Steve Head & John Black

Sat, Feb 9            HOLY MOTORS at 7:30 pm by Monica Castillo

Sat, Feb 9            COSMOPOLIS at 9:45 pm by Sean Burns

The full schedule of the (Some of) The Best of 2012 series can be found on the Brattle’s site. You can purchase tickets in advance on their website or help support their Kickstarter to help buy digital equipment for the theater. Hope to see you out there supporting independent cinema!

-Monica Castillo



“As sophomoric as it may sound on paper, RUBY SPARKS clicks, with a script that embraces as much convention as it intends to buck.” – Norm Schrager, Meet In The Lobby 

“Hobbled by one of the least appealing lead performances of this or maybe any year and directed with tone-deaf inconsistency at every turn.” – Sean Burns, Philadelphia Weekly
“Just because the filmmakers wink at us through all this sub-Woody Allen bullshit doesn’t mean it isn’t sub-Woody Allen bullshit.” – Jake Mulligan, The Suffolk Voice



“I didn’t hate the new TOTAL RECALL. But only because it’s way, way too forgettable to be worth the effort to hate. Call it extreme indifference, I guess.” – Bob Chipman, The Escapist

“I’d rather watch paint dry. At least then, when the process was finished, I’d be looking at something different than what I was looking at before.” – Greg Vellante, The Eagle Tribune

“One of the few, fortunate movies to do something interesting with an old favorite, preserving timeless tropes while addressing contemporary concerns.” – Kilian Melloy, Kal’s Movie Blog

“It takes the central conceit of the original film and saps away all the irony and bombast that made it endearing in the first place.” – Jake Mulligan, The Suffolk Voice

“TOTAL RECALL doesn’t forget its roots. It simply overwrites them with some new memories.” – Daniel M. Kimmel,



“Tides of fear, rage, and greed sweep through the cast of characters, propelling them on disastrous collision courses.” – Kilian Melloy, EDGE Boston
“In this world, it’s not the blood on your hands that brings you down — it’s the stain on your cufflinks.” – Jake Mulligan, The Boston Phoenix
“Like HEART OF DARKNESS if it were built around semen humor, KLOWN gives us the kinkiest trip down a river since DELIVERANCE.” – Jake Mulligan, The Suffolk Voice
“Denmark’s answer to CURB YOUR ENTHUSIASM, with vestiges of Dogme 95.” – Brett Michel, The Boston Phoenix
“Complicated but compelling, the film also struggles a bit with Yang’s erratic direction.” – Monica Castillo, The Boston Phoenix

“A testosterone-fuelled view of infertility; meaning it’s all about sperm jokes, penis jokes, masturbation jokes and, when all that fails, getting hit in the crotch.” – John Black, Boston Event Guide

“I promise you, I’m not making this up: this is a movie someone paid to make, and assumed other people would pay to see. I’m at a loss.” – Jake Mulligan, EDGE Boston



“More like diary of a little asshole.” – Greg Vellante, The Eagle Tribune

“If you’re over the age of 12, chances are you’re already too old for these movies.” – Daniel M. Kimmel,



“Some bio-docs let you feel as though you’ve lived the subject’s life. For better or worse, this one makes you feel like an eavesdropper.” – Jake Mulligan, EDGE Boston