MORTDECAI

“It isn’t one of the worst movies you’ll ever see, but Mortdecai certainly has a long way before it can be seen as a respectable piece of cinematic art.” – Jaskee Hickman, The Movie Picture Show

“A snicker here, a polite chuckle there, but not a belly laugh in sight.” – Andy Crump, Paste Magazine

THE BOY NEXT DOOR

“Few movies actually live up to that notion of a movie that is so hilariously awful they it is perversely entertaining. “The Boy Next Door” does. It is–at least unintentionally–the laugh-riot of the year.” – Daniel M. Kimmel, North Shore Movies

“I didn’t pay and I still want my money back.” – John Black, Boston Event Guide

TWO DAYS, ONE NIGHT

“…part of what makes Two Days, One Night miraculous is the restraint the Dardennes display.” – Sean Burns, Movie Mezzanine

“In shifting their usual point of view and placing their unflinching gaze squarely on the face of a seasoned professional, the Dardennes have captured one of the most naturalistic performances in a directing career known for cultivated kitchen-sink realism. ” – Brett Michel, The Improper Bostonian

“Fragility is a tough thing to sell on the big screen, but Marion Cotillard (La Vie en Rose) gives a masterclass on the art of how to do it.” – John Black, Boston Event Guide

STILL ALICE

“It’s tasteful to a fault, exploring a terrifying subject with the utmost decorum. You feel bad when it’s over, but not too bad.” – Sean Burns, Movie Mezzanine

SONG ONE

“SONG ONE isn’t bad; it is, however, disjointed as a melancholy testament to music’s ability to heal all wounds and as a love story about disaffected souls set against the backdrop of New York City’s modern folk scene.” – Andy Crump, Movie Mezzanine

BELOVED SISTERS

“Even the parts that are meant to feel light and silly seem muted and too heavy.” – Kilian Melloy, Edge Boston